一、課程說明
本課程的主要目的在探討文學、藝術創作與社會之間的交互辯證關係。


在Jane Turner, ed., The Dictionary of Art（1996）如此定義藝術社會史：「一個用於描繪藝術史研究方法的術語；這種方法試圖確定與一個既定的藝術現象的產生及全面理解相關的各種社會因素，無論這個現象是一個時代、一個城市、一個藝術家的生涯，還是一件作品。因此，它與藝術社會學緊密的聯繫在一起。」

本課程追溯及詮釋當代台灣的小說、影像等不同面向的藝術創作類型，從日治以來至二十世紀末的發展與演變。
概言之，歷來有兩種主要研究取向探索文學藝術與社會之關係。第一種是檢視文學藝術作品內容中所呈現的社會現象（「由文學藝術作品看社會」）；第二種研究取向則是探討社會環境結構如何影響作品的生產與流通，諸如創作者的來源及其社會地位，文學藝術贊助（patronage）的形式，出版業／藝術作品經理人的結構，閱聽者的人口與社經地位組成成分等等（「文學藝術生產／消費學」）。
本課程的取向將採用一多重交互作用的方法架構，來進行對當代台灣文學藝術的三段式文化分析：（1）歷史脈絡化解讀（後殖民史觀）（2）文學藝術體制的制度分析（文學藝術作為「文化商品」如何被生產、傳遞、接受及評估）（3）文本分析（文學藝術作為「意義結構」的深度詮釋）。本課程特別強調文學藝術與社會之間的「彼此鑲嵌與相互形構」之共生與辯証關係，並不是文學藝術被動而直接地反映社會現狀，而是社會結構本身就積極地介入文學藝術生產與接收的過程。

以文學為例（其他藝術門類亦可類推），此三段式文化分析的綱要約略如下：就歷史發展脈絡而言，台灣文學孕育於三個重要的歷史主軸，一是原住民史，一是移民史，一是殖民史。如斯多元而又異質歷史經驗積淀與集體記憶，使台灣文學史詮釋，有如各方不同對立的權力與意識形態，相互競逐與角力之諸神的戰場。本課程試圖透過後殖民文學史觀更寬大地包容和考察在台灣島上孕育出來的文學。文學的歷史解釋，並不能脫離作家與作品所賴以孕育的社會而進行建構。當代台灣文學史的評價與解釋，因此就必需被放在台灣歷史發展的脈絡中來看待。就文學體制的制度分析而言，本課程所討論的「文學體制」，不單包括具體的、影響文學作品生產及接受的文化體制（諸如教育體制、媒體、出版業等等），同時也含括社會上經由各種論述的散布流通而獲得正當性、廣被接受的整套文學觀念。取得霸權的強勢論述透過體制力量的運作而散布，滲入整個知識系統，對人們的意識行為產生強大而不為所覺的支配力量。因此，對作品背後文學體制的分析可以幫助我們了解主流道德體系、市場獲利邏輯、和各類論述系統之間的競逐關係，如何左右著當代台灣文學創作的生產與接受。最後，就文本分析而言，本課程採用的是深度詮釋學，強調對意義的索解與叩問，將作者所寫出的文本視為論述，找出社會、歷史與文化想像投射在文本中且尚未完成的深層意義。透過重新的瞭解，還原當初的文本意義，利用同情的共鳴共感，將文本背後的意識型態與文化意涵加以重新建構。

本課程並非著重於知識的灌輸，而是強調自由活潑、能思考、能反辯的心智思辯訓練。同學們上課前必須確實讀完指定的讀物。在課堂上作口頭報告，並積極參與討論。在學期中，我們也將不定期地分組討論該週指定的文獻，並推派一名同學作小組的總結報告。並透過授課者多方詰問與對話的過程，訓練同學們的思考能力。

1. Course Description
The main purpose of this course is to explore the interactive and dialectical relationship between literature, artistic creation and society.


In Jane Turner, ed., The Dictionary of Art (1996), social history of art is defined as: "A term used to describe a method of studying art history that attempts to identify the various social factors relevant to the emergence and comprehensive understanding of a given artistic phenomenon, whether it is an era, a city, an artist's career, or a work. It is therefore closely linked to the sociology of art."

This course traces and interprets the development and evolution of novels, videos, and other artistic creation types in contemporary Taiwan from the Japanese occupation to the end of the 20th century.
In summary, there have always been two main research directions exploring the relationship between literature, art and society. The first is to examine the social phenomena presented in the content of literary and artistic works ("Looking at society through literary and artistic works"); the second research direction is to explore how the social environment structure affects the production and circulation of works, such as the origin of the creator and his social status, the form of literary and artistic patronage (patronage), the structure of the publishing industry/artistic work managers, the demographic and socioeconomic status of the readers, etc. ("literary and artistic production/consumption studies").
The orientation of this course will adopt a multiple interaction methodological framework to conduct a three-stage cultural analysis of contemporary Taiwanese literature and art: (1) historical contextual interpretation (post-colonial historical perspective) (2) institutional analysis of the literary and art system (how literature and art as "cultural commodities" are produced, transmitted, accepted and evaluated) (3) text analysis (in-depth interpretation of literature and art as "meaning structure"). This course particularly emphasizes the symbiotic and dialectical relationship of "mutual embeddedness and mutual formation" between literature and art and society. It is not that literature and art passively and directly reflect the current social situation, but that the social structure itself actively intervenes in the process of the production and reception of literature and art.

Taking literature as an example (other art categories can be analogized), the outline of this three-stage cultural analysis is roughly as follows: In terms of historical development, Taiwanese literature is nurtured in three important historical axes, one is the history of aborigines, one is the history of immigration, and the other is colonial history. Such a diverse and heterogeneous accumulation of historical experience and collective memory makes the interpretation of Taiwanese literary history like a battlefield of gods where different opposing powers and ideologies compete and wrestle with each other. This course attempts to more broadly embrace and examine the literature developed on the island of Taiwan through a postcolonial literary historical perspective. Historical explanations of literature cannot be constructed apart from the society in which writers and works were nurtured. The evaluation and interpretation of contemporary Taiwanese literary history must therefore be viewed in the context of Taiwan's historical development. As far as the institutional analysis of the literary system is concerned, the "literary system" discussed in this course not only includes specific cultural systems (such as the education system, media, publishing industry, etc.) that affect the production and reception of literary works, but also includes the entire set of literary concepts that have gained legitimacy and are widely accepted in society through the dissemination and circulation of various discourses. The powerful discourse that has achieved hegemony is spread through the operation of institutional power, infiltrating into the entire knowledge system and exerting a powerful and imperceptible control over people's conscious behavior. Therefore, the analysis of the literary system behind the works can help us understand how the competitive relationship between the mainstream moral system, market profit logic, and various discourse systems affects the production and reception of contemporary Taiwanese literary creation. Finally, as far as text analysis is concerned, this course adopts in-depth hermeneutics, emphasizing the exploration and inquiry of meaning, treating the text written by the author as a discourse, and finding out the unfinished deep meanings projected in the text by social, historical and cultural imagination. Through a new understanding, the original meaning of the text is restored, and the ideological and cultural connotations behind the text are reconstructed using sympathy and resonance.

This course does not focus on the instillation of knowledge, but on the training of free, lively, thinking, and counter-argument mental thinking. Students must actually read the assigned readings before class. Give oral presentations in class and actively participate in discussions. During the semester, we will also discuss the literature designated for that week in groups from time to time, and nominate a student to make a summary report for the group. And through the process of multi-party questioning and dialogue by the lecturer, students' thinking ability is trained.

與每週指定閱讀直接相關
Grisword, Wendy著，黃信洋、曹家榮譯（2008）《變動世界中的文化與社會》。台北市：學富文化。
人間出版社，《人間雜誌》第一至四十七期，1985-1989。
梅家玲、郝譽翔主編，2002，《小說讀本：上下》。台北：二魚文化。
台灣民間真相與和解促進會，2015，《記憶與遺忘的鬥爭：臺灣轉型正義階段報告》，台北：衛城。
紀大偉，2017，《同志文學史：台灣的發明》，台北：聯經。
陳翠蓮、吳乃德、胡慧玲，2013，《百年追求:台灣民主運動的故事》（全三卷），新北：衛城。
陳映真，2017，《陳映真全集》，台北：人間出版。

台灣美術史
蕭瓊瑞等，2009，《台灣美術史綱》。台北：藝術家。
王秀雄,，1995，《臺灣美術發展史論》。台北：國立歷史博物館。
謝里法，1995，《日據時代臺灣美術運動史》。台北：藝術家。
廖新田，2008，《台灣美術四論》。台北：典藏。
倪再沁，2007，《台灣美術的人文觀察》。台北：藝術家。
蕭瓊瑞，1997，《島嶼色彩：臺灣美術史論》。台北：東大。
李欽賢，1996，《臺灣美術閱覽》。台北：玉山社。
顏娟英譯著，2001，《風景心境：台灣近代美術文獻導讀》，台北：雄獅美術。
蕭瓊瑞，2003，《圖說台灣美術史 渡海讚歌（荷西•明清篇）》。台北：藝術家。
蕭瓊瑞，2006，《懷鄉與認同-台灣方志八景圖研究》。台北：典藏藝術家。
顏娟英譯著，2001，《風景心境：台灣近代美術文獻導讀》，台北：雄獅美術。
薛燕玲，2004，《日治時期台灣美術的地域色彩》。台中。國立台灣美術館。
薛燕玲等，2010，《日治時期台灣官辦美展（1927-1943）圖錄與論文集》，台北：勤宣文教基金。

台灣文學史概論
Wang, David Der-Wei, and Rojas, Carlos, eds.,2007. Writing Taiwan: A New Literary History(文學台灣).Durham & London: Duke University Press.
王德威，2007，《後遺民寫作》。台北市：麥田。
王德威編，2005，《台灣：從文學看歷史》。台北：麥田。
古繼堂編，2002，《簡明台灣文學史》。北京：時事出版社。
朱惠足，2009，《「現代」的移植與翻譯》。台北：麥田。
呂正惠，2010，《戰後台灣文學經驗》。北京：生活‧讀書‧新知三聯書店。
李奭學，2004，《書話台灣：1991~2003文學印象》。台北市：九歌。
亞 菁，1983，《現代文學評論》。台北市：三民。
周芬伶，2007，《聖與魔──台灣戰後小說的心靈圖象1945-2006》。台北市：印
周英雄、劉紀蕙編，2000，《書寫台灣：文學史、後殖民與後現代》。台北：麥田。
林麗如，2004，《走訪文學僧－－資深作家訪問錄》。台北市：文訊雜誌社。
施 淑，1997，《兩岸文學論集》。台北市：新地。
范銘如，2008，《文學地理：台灣小說的空間閱讀》。台北市：麥田。
郝譽翔，2008，《大虛構時代》。台北市：聯合文學。
張文中，2004，《兩岸三地名家訪談》。廣州：花城出版社。
張錦忠，黃錦樹，2006，《重寫台灣文學史》。台北：麥田出版。
陳芳明，1998，《左翼台灣》。台北市：麥田。
陳芳明，2007，《後殖民台灣：文學史論及其周邊》。台北市：麥田。
陳芳明，2011，《台灣新文學史（上下）》。台北：聯經。
陳建仲，2008，《文學心鏡：作家．印象》。台北市：聯合文學。
陳建忠等合著，2007，《台灣小說史論》。台北，麥田。
陳建忠等合著，2007，《臺灣小說史論》。台北：麥田。
彭瑞金，2004(1997)，《台灣新文學運動40年》。高雄：春暉出版社。
須文蔚主編：《文學＠台灣》。台北：城邦，2008。
楊 照，2010，《霧與畫：戰後臺灣文學史散論》。台北：麥田。
楊 澤，1994，《從四○年代到九○年－－兩岸小說集》。台北市：時報出版。
葉石濤，2003（1987），《台灣文學史鋼》。高雄：春暉出版社。

台灣短篇小說重要選集
朱偉誠編，2005，《臺灣同志小說選》。台北市：二魚文化。
江寶釵、范銘如編：《島嶼妏聲：台灣女性小說讀本》。台北：巨流，2000。
李明慈編，2010，《閱讀航線：現代小說選》。台北市：三民。
邱貴芬編：《日據以來臺灣女作家小說選讀（上下）》。台北：女書文化，2010。
柯慶明編，2009，《現代文學精選集：小說》。台北市：國立臺灣大學出版中心。
張寶琴編，2004，《聯合文學20年短篇小說選（1984～2004）》。台北市：聯合文

Directly related to weekly assigned reading
Grisword, written by Wendy, translated by Huang Xinyang and Cao Jiarong (2008) "Culture and Society in a Changing World". Taipei City: Xuefu Culture.
Renjian Publishing House, "Renjian Magazine" Issues 1 to 47, 1985-1989.
Edited by Mei Jialing and Hao Yuxiang, 2002, "Novel Reader: Upper and Lower". Taipei: Eryu Culture.
Taiwan Folk Truth and Reconciliation Promotion Association, 2015, "The Struggle of Memory and Forgetting: Report on the Stages of Justice in Taiwan's Transition", Taipei: Acropolis.
Ji Dawei, 2017, "History of Gay Literature: The Invention of Taiwan", Taipei: Lianjing.
Chen Cuilian, Wu Naide, Hu Huiling, 2013, A Century of Pursuit: The Story of Taiwan’s Democratic Movement (three volumes), New Taipei City: Acropolis.
Chen Yingzhen, 2017, "The Complete Works of Chen Yingzhen", Taipei: Renjian Publishing House.

Taiwan Art History
Xiao Qiongrui et al., 2009, "Taiwan Art History Outline". Taipei: Artist.
Wang Xiuxiong, 1995, "History of the Development of Taiwan Art". Taipei: National Museum of History.
Sherifa, 1995, "History of Taiwan Art Movement during the Japanese Occupation Era". Taipei: Artist.
Liao Xintian, 2008, "Four Essays on Taiwanese Art". Taipei: Collection.
Ni Zaiqin, 2007, "Humanistic Observation of Taiwan Art". Taipei: Artist.
Xiao Qiongrui, 1997, "Island Colors: An Essay on the History of Taiwanese Art". Taipei: Dongda University.
Li Qinxian, 1996, "Taiwan Art Review". Taipei: Yushan Society.
Translated by Yan Juanying, 2001, "Landscape Mood: An Introduction to Taiwan's Modern Art Literature", Taipei: Lion Art.
Xiao Qiongrui, 2003, "Illustrated History of Taiwan Art: Hymn to Crossing the Sea (Joseph·Ming and Qing Dynasties)". Taipei: Artist.
Xiao Qiongrui, 2006, "Nostalgia and Identity - Research on the Eight Scenic Spots of Taiwan Local Chronicles". Taipei: Collection Artists.
Translated by Yan Juanying, 2001, "Landscape Mood: An Introduction to Taiwan's Modern Art Literature", Taipei: Lion Art.
Xue Yanling, 2004, "Regional Color of Taiwanese Art During the Japanese Occupation". Taichung. National Taiwan Museum of Fine Arts.
Xue Yanling et al., 2010, Catalog and Essays of the Taiwan Government-run Art Exhibition During the Japanese Occupation Period (1927-1943), Taipei: Qinxuan Cultural and Educational Foundation.

Introduction to Taiwanese Literary History
Wang, David Der-Wei, and Rojas, Carlos, eds., 2007. Writing Taiwan: A New Literary History (literary Taiwan). Durham & London: Duke University Press.
Wang Dewei, 2007, "Post-Remover Writing". Taipei City: Wheatfield.
Edited by Wang Dewei, 2005, "Taiwan: History from Literature." Taipei: Wheatfield.
Edited by Gu Jitang, 2002, "A Concise History of Taiwan Literature". Beijing: Current Affairs Press.
Zhu Huizu, 2009, "Transplantation and Translation of "Modern"". Taipei: Wheatfield.
Lu Zhenghui, 2010, "Postwar Taiwanese Literary Experience". Beijing: Life·Reading·New Knowledge Sanlian Bookstore.
Li Xixue, 2004, "Taiwan in Letters: Literary Impressions from 1991 to 2003". Taipei City: Jiuge.
Ya Jing, 1983, "Modern Literature Review". Taipei City: Sanmin.
Zhou Fenling, 2007, "Saints and Demons: The Psychic Image of Taiwan's Post-War Novels 1945-2006". Taipei City: India
Zhou Yingxiong and Liu Jihui (eds.), 2000, "Writing Taiwan: Literary History, Postcolonialism and Postmodernity". Taipei: Wheatfield.
Lin Liru, 2004, "Visiting the Literary Monk - Interviews with Senior Writers". Taipei City: Wenxun Magazine.
Shi Shu, 1997, "Collection of Cross-Strait Literature". Taipei City: Newland.
Fan Mingru, 2008, "Literary Geography: Spatial Reading of Taiwanese Novels". Taipei City: Wheatfield.
Hao Yuxiang, 2008, "The Age of Great Fiction". Taipei City: United Literature.
Zhang Wenzhong, 2004, "Interviews with Famous Experts from Cross-Strait and Three Places". Guangzhou: Huacheng Publishing House.
Zhang Jinzhong, Huang Jinshu, 2006, "Rewriting the History of Taiwan Literature". Taipei: Wheatfield Publishing.
Chen Fangming, 1998, "Left-wing Taiwan". Taipei City: Wheatfield.
Chen Fangming, 2007, "Postcolonial Taiwan: Literary History and Its Surroundings". Taipei City: Wheatfield.
Chen Fangming, 2011, "Taiwan's New Literature History (Part 1 and 2)". Taipei: Lianjing.
Chen Jianzhong, 2008, "Literary Mirror: Writers." impression". Taipei City: United Literature.
Chen Jianzhong and others co-authored, 2007, "History of Taiwan Novel". Taipei, wheat fields.
Chen Jianzhong and others co-authored, 2007, "History of Taiwan Novel". Taipei: Wheatfield.
Peng Ruijin, 2004 (1997), "40 Years of Taiwan's New Literature Movement". Kaohsiung: Chunhui Publishing House.
Edited by Xu Wenwei: "Literature@Taiwan". Taipei: City-State, 2008.
Yang Zhao, 2010, "Fog and Painting: Essays on the History of Postwar Taiwanese Literature." Taipei: Wheatfield.
Yang Ze, 1994, "From the 1940s to the 1990s - Cross-Strait Novels Collection". Taipei: Times Publishing.
Ye Shitao, 2003 (1987), "Taiwan Literature History Steel". Kaohsiung: Chunhui Publishing House.

Important anthology of Taiwanese short stories
Edited by Zhu Weicheng, 2005, "Selected Taiwan Gay Novels". Taipei City: Eryu Culture.
Jiang Baochai and Fan Mingru, eds. "Island Whispers: A Reader of Taiwanese Women's Novels". Taipei: Juliu, 2000.
Li Mingci, ed., 2010, "Reading Routes: Selected Modern Novels". Taipei City: Sanmin.
Edited by Qiu Guifen: "Selected Readings of Novels by Taiwanese Women Writers since the Japanese Occupation (Part 1 and 2)". Taipei: Nüshu Culture, 2010.
Ke Qingming, ed., 2009, "Selected Collection of Modern Literature: Novels". Taipei: National Taiwan University Publishing Center.
Edited by Zhang Baoqin, 2004, "Selected Short Stories from United Literature in the Past 20 Years (1984~2004)". Taipei City: Lianhewen