本課程探討音樂美學的定義和其與西方古典音樂傳統的關係。我們縱觀音樂美學的歷史、文化背景，及主要藝術家、作曲家、文人、哲學家。本課程分為三部份。我們首先細讀19世紀著名樂評Hanslick 的著作《論音樂的美》，一本常被誤解的、音樂美學史上的重要著作。我們接著討論浪漫主義、浪漫精神與音樂美學的關聯；讀本包括Schumann 及多位當代文人（如Jean Paul, ETA Hofmann）的作品。本課程結束於現代音樂：討論哲學家Adorno，與20世紀作曲家（如Debussy, Stravinsky）如何將現代音樂中前衛的元素與音樂美學的轉變相連結。This course explores the definition of music aesthetics and its relationship with Western classical music traditions. We look at the history and cultural background of music aesthetics, as well as main artists, composers, literati, philosophers. This course is divided into three parts. We first read the 19th -century famous music review Hanslick's book "On the Beauty of Music", a often misunderstood, important works in the history of music aesthetics. We then discuss the relationship between romanticism, romantic spirit and music aesthetics; read books include Schumann and many contemporary writers (such as Jean Paul, Eta Hofmann). This course ends in modern music: Discuss the philosopher Adorno, which is connected to how the 20th -century composer (such as Debussy, Stravinsky) connects the transformation of the elements of avant -garde in modern music with the transition of music aesthetics.
Hanslick, Eduard. The Beautiful in Music. Trans. Gustav Cohen. New York: Da Capo Press, 1974.
(中譯本Chinese translation) Hanslick, Eduard. 《論音樂美—音樂美學的修改芻議Vom musikalischen-Schönen》，陳慧姍譯，台北：世界文物，1997 。
Hanslick, Eduard. The Beautiful in Music. Trans. Gustav cohen. New York: DA CAPO PRESS, 1974.
(Chinese translation Chinese Translation) Hanslick, Eduard. "On the Modification of Music-Music Aesthetics 刍 Vom Musikalischen-Schönen", translated by Chen Huishan, Taipei: World Cultural Relics, 1997.
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