「現代理論與趨勢」(Current Practices) 是一堂專門開給作曲主修與電子琴主修的必修課程. 本課程的目標是提供修課學生深入且徹底研讀與分析樂曲的技巧, 曲目為十九世紀末至二十世紀中期各創作學派的代表作品. 指定曲目(target study)在學期初即列入課程大綱, 其研讀進度則視學生的需要及其課堂表現來做調整, 並適時加入補充教材或更換曲目. 由於這是專給學習創作者的進階課程, 任課老師的角色著重在課堂中與學生共同思辨、研究討論的過程, 盡量減少單向的知識傳播. 藉著深入研究重要曲目, 順勢延伸至各學派寫作手法的探討, 提供學生在創作上最實際的啟發與幫助.

"Current Practices" is a required course specifically for composition majors and electronic keyboard majors. The goal of this course is to provide students with the skills to study and analyze music in depth and thoroughly. The repertoire is representative works of various creative schools from the late 19th century to the mid-20th century. The designated repertoire (target study) is included in the course syllabus at the beginning of the semester, and the study progress is adjusted based on the needs of the students and their class performance, and supplementary teaching materials or repertoires are added in a timely manner. Since this is an advanced course designed for learning creators, the role of the teacher focuses on the process of thinking, research and discussion with students in the classroom, and minimizing the one-way transmission of knowledge. Through in-depth study of important repertoire, it is extended to the discussion of writing techniques of various schools, providing students with the most practical inspiration and help in creation.

References & Target Study



Aldwell, Edward and Carl Schachter. Harmony and Voice-Leading, Chapters 30-32.

Chausson, Ernest. Poeme, Op. 25.
http://imslp.org/wiki/Po%C3%A8me,_Op.25_(Chausson,_Ernest)

Forte, Allen. The Structure of Atonal Music. Yale university Press, 1999.

Franck, Cesar. Violin Sonata in A Mjor. New York: G. Schirmer, 1915.
http://imslp.org/wiki/Violin_Sonata_(Franck,_C%C3%A9sar)#Scores

Morris, Robert. Composition with Pitch-Classes: A Theory of Compositional Design.
Yale University Press, 1988.

Perles, George. The Opera of Alban Berg, vol. II. University of California Press, 2010

Schoenbeg, Arnold. Das Buch der hangenden Garten for Voice and Piano, Op. 15.
Boca Raton, Fla. :/Masters Music Publications,/1991

Schoenbeg, Arnold. Funf Klavierstücke Op. 23. Kobenhavn :/W. Hansen,/c1951.

Schoenbeg, Arnold. Suite für Klavier, Op. 25. U.E. 7627/Universal Edition


Wagner, Richard. Tristan und Isolde Prelude piano reduction by Otto Singer II, C. F. Peters, n. d.
http://imslp.org/wiki/Tristan_und_Isolde,_WWV_90_(Wagner,_Richard)#For_Piano_solo_.28Singer.29

Wolf, Hugo. Morike Lieder.
http://imslp.org/wiki/M%C3%B6rike-Lieder_(Wolf,_Hugo)

References & Target Study



Aldwell, Edward and Carl Schachter. Harmony and Voice-Leading, Chapters 30-32.

Chausson, Ernest. Poeme, Op. 25.
http://imslp.org/wiki/Po%C3%A8me,_Op.25_(Chausson,_Ernest)

Forte, Allen. The Structure of Atonal Music. Yale university Press, 1999.

Franck, Cesar. Violin Sonata in A Major. New York: G. Schirmer, 1915.
http://imslp.org/wiki/Violin_Sonata_(Franck,_C%C3%A9sar)#Scores

Morris, Robert. Composition with Pitch-Classes: A Theory of Compositional Design.
Yale University Press, 1988.

Perles, George. The Opera of Alban Berg, vol. II. University of California Press, 2010

Schoenbeg, Arnold. Das Buch der hangenden Garten for Voice and Piano, Op. 15.
Boca Raton, Fla. :/Masters Music Publications,/1991

Schoenbeg, Arnold. Funf Klavierstücke Op. 23. Kobenhavn:/W. Hansen,/c1951.

Schoenbeg, Arnold. Suite für Klavier, Op. 25. U.E. 7627/Universal Edition


Wagner, Richard. Tristan und Isolde Prelude piano reduction by Otto Singer II, C. F. Peters, n. d.
http://imslp.org/wiki/Tristan_und_Isolde,_WWV_90_(Wagner,_Richard)#For_Piano_solo_.28Singer.29

Wolf, Hugo. Morike Lieder.
http://imslp.org/wiki/M%C3%B6rike-Lieder_(Wolf,_Hugo)