一、探討書畫藝術史中，文人思想與其處境的美學與思辯。
二、筆墨、線條相對於創作實踐的運用與功能。
三、藉由對書畫傳統的回顧與重探，理解水墨畫面對當代創作與造型的思考。
四、探討個體思想與圖像、文字的聯結，提升為凝鍊的藝術形式。

1. Explore the aesthetics and thoughts of literati thoughts and their situations in the history of calligraphy and art.
2. The use and functions of ink and line are relative to the creative practice.
3. Through reviewing and re-exploring the tradition of book paintings, understand the thinking of ink paintings on contemporary creation and modeling.
4. Explore the connection between individual thoughts and images and words, and upgrade them to an artistic form of cohesion.

1、方聞 著。《心印》。中國：上海書畫。2017。
2、巫鴻 著。《重屏》。中國：上海世紀。2009。
3、盧輔聖主編。《朵雲54集—關於筆墨的爭論》。上海：上海書畫。2001。
4、熊秉明 著。《中國書法理論體系》。臺北：雄獅美術。1999。
5、朱良志 著。《扁舟一葉 理學與中國畫學研究》。合肥：安徽教育出版。2006。
6、倪再沁 著。《台灣美術論衡》。臺北：藝術家。2007。
7、何懷碩 著。《給未來的藝術家》。臺北：立緒。2003。
8、《黃盒子》。台北市立美術館。2006。
9、曾正明 著。《十八描研究》。中國：湖南美術。1998。

1. Fang Shun. "Heart Seal". China: Shanghai Books. 2017.
2. Witch. "Re-screen". China: Shanghai Century. 2009.
3. Editor of Lucai Saint. "Duoyun Episode 54 - Controversy about Bingmo". Shanghai: Shanghai books. 2001.
4. Xiong Bingming wrote. "China Book Legal System". Taipei: Lion Art. 1999.
5. Written by Zhu Liangzhi. "A Study of Science and Chinese Painting" Hefei: Anhui Education Publishing. 2006.
6. Ni Zaiqin wrote. "Taiwan Art Discussion". Taipei: Artist. 2007.
7. He Xun's writing. "To the Future Artist". Taipei: Li Cheng. 2003.
8. "Yellow Box". Taipei City Art Museum. 2006.
9. Zeng Zhengming wrote. "Research on Eighteen Paints". China: Hunan Art. 1998.