1. 循序探討各音樂時期與樂派的弦樂作品風格與特點
2. 介紹弦樂器沿革與演奏法的演變
3. 逐一研究對弦樂作品具重要貢獻的作曲家及作品
4. 明確劃分各時代弦樂風格與演奏詮釋並能加以應用於自身的演奏與專業研究

1. Sequentially explore the styles and features of string works of various musical periods and musical schools
2. Introduction to the evolution of string instruments and the performance method
3. Study composers and works that have important contributions to the works of stringed lexicon one by one
4. It is clear that the string styles and performance speeches of each era can be applied to its own performance and professional research

1. Griffiths, Paul. The String Quartet. New York, N.Y.: Thames and Hudson, 1983.
2. Kostka, Stefan M. Materials and Techniques of Twentieth-Century Music. Englewood Cliffs, N.J.: Prentice Hall, 1990.
3. Lester, Joel. Bach’s Works for Solo Violin: Style, Structure, Performance. New York: Oxford University Press, 1999.
4. Rosen, Charles. The Classical Style: Haydn, Mozart, Beethoven. New York: Viking Press, 1971.
5. Seaton, Douglass. Ideas and Styles in the Western Musical Tradition. California: Mayfield Publishing Company, 1991.
6. Stowell, Robin. The Cambridge Companion to the String Quartet. Cambridge, New York: Cambridge University Press, 2003.

1. Griffiths, Paul. The String Quartet. New York, N.Y.: Thames and Hudson, 1983.
2. Kostka, Stefan M. Materials and Techniques of Twentieth-Century Music. Englewood Cliffs, N.J.: Prentice Hall, 1990.
3. Lester, Joel. Bach’s Works for Solo Violin: Style, Structure, Performance. New York: Oxford University Press, 1999.
4. Rosen, Charles. The Classical Style: Haydn, Mozart, Beethoven. New York: Viking Press, 1971.
5. Seaton, Douglass. Ideas and Styles in the Western Musical Tradition. California: Mayfield Publishing Company, 1991.
6. Stowell, Robin. The Cambridge Companion to the String Quartet. Cambridge, New York: Cambridge University Press, 2003.