※課程目標 (Course Objectives)
中國音樂史是以華夏為中心的中國文化，以漢族為中心，同時兼容並蓄於鄰近族群的涵容。「音樂」是它主要的載體，「時間」是其發展的重要動脈，如同一幅綿延不斷的歷史卷軸，環環相互扣連，每一個朝代的音樂形式與風格，皆相互的傳承與影響；音樂史的課程分成兩種形式，一類是以時間的段代為鋪陳，敘述音樂風格與型態的各類發展，「史觀」為其著重的方向，另一類則以音樂型態為分類，論述在時間洪流中的分段衍化與歷史脈絡，「形式觀」則是課程重點，本學期將以這兩種方法論，交叉驗證於中國音樂的形式與風格。
本課程為大學部之學年課程，分為上下學期講授。上學期講授範圍為遠古至隋唐時期的燕樂大曲，下學期講授範圍為宋元明清的戲曲至近代。第一學期課程著重從遠古至隋唐的音樂歷史脈絡的釐清，從物質文化的遺跡中，考述音樂的多元發展，深入淺出地，刻畫春秋至隋唐五代中，中國音樂的流變與演進，最後集大成於兼容語彙之「燕樂大曲」，為即將承接的「戲曲」年代鋪陳備蓄。
第二學期的課程著重於「宋、元、明、清」四個朝代，音樂承接自隋、唐、五代的民歌、曲子與燕樂歌舞等眾多養份，發展至宋朝之後，形式轉往結合多元藝術型態的戲劇，並且越漸成熟、發揚至極，成為中國音樂最重要的標記，例如從民歌類型的中國各地方言與聲腔，結合故事段本和身段動作，逐漸形成地方戲曲，直至今日，成為中國音樂最引人注目的篇章；本課程將深入淺出，探討中國音樂史的各項音樂型類與縱深，以期完整釐清與建立音樂史學的通盤架構和發展。
本課程除了對中國音樂文化的介紹，也將領域擴及至歷史上經由通商或征戰等緣故，與中國交融之東亞、北亞、中亞與東南亞等區域音樂的喜好與了解，企圖完整建立中國音樂的審美進程與層次脈絡，進一步體驗不同社會時代的生活文化與藝術價值。

※Course Objectives
The history of Chinese music is Chinese culture centered on Huaxia, centered on the Han people, and at the same time inclusive and inclusive of neighboring ethnic groups. "Music" is its main carrier, and "time" is an important artery for its development. It is like a continuous historical scroll, linked to each other. The musical forms and styles of each dynasty inherit and influence each other. The music history course is divided into two forms. One is to lay out the period of time and narrate it. It describes the various developments of music styles and forms, with "historical perspective" as its focus. The other category uses music types as a classification to discuss the segmented evolution and historical context in the flow of time. "Form perspective" is the focus of the course. This semester, these two methodologies will be used to cross-check the form and style of Chinese music.
This course is an academic year course in the undergraduate department and is taught in the first and second semesters. The teaching scope of the first semester is Yanle Daqu from ancient times to the Sui and Tang Dynasties, and the teaching scope of the next semester is the operas from the Song, Yuan, Ming and Qing Dynasties to modern times. The first semester course focuses on clarifying the historical context of music from ancient times to the Sui and Tang Dynasties. It examines the diverse development of music from the relics of material culture and describes the changes and evolution of Chinese music from the Spring and Autumn Period to the Sui, Tang and Five Dynasties in a simple and in-depth manner. Finally, it is compiled into the "Yan Yue Daqu" with a compatible vocabulary, paving the way for the upcoming era of "opera".
The course in the second semester focuses on the four dynasties of "Song, Yuan, Ming and Qing". The music inherited many elements from the folk songs, tunes and Yan music and dances of the Sui, Tang and Five Dynasties. After the development of the Song Dynasty, the form shifted to drama combining multiple art forms, and became more and more mature and developed to the extreme, becoming the most important symbol of Chinese music. For example, from The folk song genre was composed of various Chinese dialects and tunes, combined with story lines and body movements, and gradually formed local operas. Until today, it has become the most eye-catching chapter of Chinese music. This course will explore various music types and depths of Chinese music history in a simple and in-depth manner, with a view to completely clarifying and establishing the overall structure and development of music history.
In addition to the introduction of Chinese music culture, this course also expands the field to the preferences and understanding of regional music in East Asia, North Asia, Central Asia, and Southeast Asia that have been integrated with China through trade or conquest in history. It attempts to completely establish the aesthetic process and hierarchy of Chinese music, and further experience the life culture and artistic value of different social eras.

中國音樂史是以華夏為中心的中國文化，以漢族為中心，同時兼容並蓄於鄰近族群的涵容。「音樂」是它主要的載體，「時間」是其發展的重要動脈，如同一幅綿延不斷的歷史卷軸，環環相互扣連，每一個朝代的音樂形式與風格，皆相互的傳承與影響；音樂史的課程分成兩種形式，一類是以時間的段代為鋪陳，敘述音樂風格與型態的各類發展，「史觀」為其著重的方向，另一類則以音樂型態為分類，論述在時間洪流中的分段衍化與歷史脈絡。

The history of Chinese music is Chinese culture centered on Huaxia, centered on the Han people, and at the same time inclusive and inclusive of neighboring ethnic groups. "Music" is its main carrier, and "time" is an important artery for its development. It is like a continuous historical scroll, linked with each other. The musical forms and styles of each dynasty inherit and influence each other; the course of music history is divided into There are two forms: one is based on time periods, describing the various developments of music styles and forms, with "historical perspective" as its emphasis; the other is using music forms as a classification, discussing the segmented evolution and historical context in the torrent of time.

 相關參考書目 (Other Useful Readings)
王光祈，《中國音樂史》。台北：中華書局，1981(台七版)。
吳釗、劉東升，《中國音樂史略》。北京：人民音樂出版社，1983。
汪毓和，《中國近現代音樂史》(第二次修訂版)。北京：人民音樂出版社，2002。
楊蔭瀏，《中國古代音樂史稿》。台北：大鴻（丹青），1985。
楊蔭瀏，《中國音樂史綱》。台北：樂韻，1996(台北初版)。
劉再生，《中國古代音樂史簡述》。北京：人民音樂出版社，2006。
劉東升、袁荃猷編撰，《中國音樂史圖鑑》。北京：人民音樂，1988。
薛宗明，《中國音樂史‧樂器篇》。台北：商務印書館，1983。
薛宗明，《中國音樂史‧樂譜篇》。台北：商務印書館，1981。
黃翔鵬，《中國古代音樂史：分期研究及有關新材料、新問題》。台北：漢唐樂府，1997。
張庚、郭漢城，《中國戲曲通史》。台北：丹青圖書，1985。
許健，《琴史初編》。北京：人民音樂出版社，1982。
傅雷，《傅雷家書》。香港：三聯書店，2006（增訂本）。
廖奔、劉彥君，《中國戲曲發展史》。太原：山西教育出版社，2003。
蔡仲德，《中國音樂美學史》。北京：人民音樂出版社，1995。
余甲方，《中國古代音樂史》。上海：人民音樂出版社，2003。
余甲方，《中國近代音樂史》。上海：人民音樂出版社，2006。

工具書
中國大百科全書音樂舞蹈編輯委員會，《中國大百科全書 音樂 舞蹈》。臺北縣：錦繡，1993（正體字版）。
張樂水、戴安琳編，董榕森總校訂，《中國音樂辭典》。台北：長春樹書坊，1985。
薛宗明，《中外音樂大事年表》。台北：臺灣商務，1989。

史料
吉聯抗輯譯，《秦漢音樂史料》。上海：上海文藝出版社，1981。
吉聯抗輯譯，《魏晉南北朝音樂史料》。上海：上海文藝出版社，1982。
吉聯抗輯譯，《隋唐五代音樂史料》。上海：上海文藝出版社，1986。
吉聯抗輯譯，《宋明音樂史料》。上海：上海文藝出版社，1986。

多媒體與影音資料
《中國古典音樂欣賞─先秦.漢魏六朝.唐.宋.元.明.清》（6張音樂CD）。ACD-033-038。北京：北京中唱時代音像有限公司，1998。
王子初主編，《中國音樂史教學參考圖庫》（CD-ROM）。北京：人民音樂音像出版社。
國立國光劇團，《拍案京奇（概論篇）》（DVD）。台北：國立國光劇團，2006。
楊錦聰監製，《傳承─楊蔭瀏百年誕辰紀念專輯》（2張音樂CD）。TCD-1023。台北：風潮有聲出版公司，2000。
管平湖，《管平湖古琴曲集》（2張音樂CD，附手冊）。RB-951005-2C。香港：龍音製作有限公司，1995。
管平湖等，《中國音樂大全‧古琴卷》（8張音樂CD）。CCD-94/342─9。中國唱片總公司，1994。

 Related bibliographies (Other Useful Readings)
Wang Guangqi, "History of Chinese Music". Taipei: Chung Hwa Book Company, 1981 (Taiwan Seventh Edition).
Wu Zhao and Liu Dongsheng, "A Brief History of Chinese Music". Beijing: People's Music Publishing House, 1983.
Wang Yuhe, "History of Modern Chinese Music" (Second Revised Edition). Beijing: People's Music Publishing House, 2002.
Yang Yinliu, "History of Ancient Chinese Music." Taipei: Dahong (Danqing), 1985.
Yang Yinliu, "Outline of the History of Chinese Music". Taipei: Le Yun, 1996 (first edition in Taipei).
Liu Zaisheng, "A Brief Introduction to the History of Ancient Chinese Music". Beijing: People's Music Publishing House, 2006.
Compiled by Liu Dongsheng and Yuan Quanyou, "Illustrated Book of Chinese Music History". Beijing: People's Music, 1988.
Xue Zongming, "History of Chinese Music: Instruments". Taipei: The Commercial Press, 1983.
Xue Zongming, "History of Chinese Music - Music Score". Taipei: The Commercial Press, 1981.
Huang Xiangpeng, "History of Ancient Chinese Music: Periodic Research and Related New Materials and New Issues". Taipei: Han and Tang Yuefu, 1997.
Zhang Geng and Guo Hancheng, "General History of Chinese Opera". Taipei: Danqing Books, 1985.
Xu Jian, "The First Edition of the History of Qin". Beijing: People's Music Publishing House, 1982.
Fu Lei, "Fu Lei Family Letter". Hong Kong: Joint Publishing Company, 2006 (updated edition).
Liao Ben and Liu Yanjun, "History of the Development of Chinese Opera". Taiyuan: Shanxi Education Press, 2003.
Cai Zhongde, "History of Chinese Musical Aesthetics". Beijing: People's Music Publishing House, 1995.
Yu Jiafang, "History of Ancient Chinese Music". Shanghai: People's Music Publishing House, 2003.
Yu Jiafang, "History of Modern Chinese Music". Shanghai: People's Music Publishing House, 2006.

Reference books
Encyclopedia of China Music and Dance Editorial Committee, "Encyclopedia of China Music and Dance". Taipei County: Jinxiu, 1993 (traditional Chinese version).
"Chinese Music Dictionary" edited by Zhang Lexui and Dai Anlin, edited by Dong Rongsen. Taipei: Changchun Shufang, 1985.
Xue Zongming, "Chronology of Major Events in Chinese and Foreign Music". Taipei: Taiwan Business, 1989.

Historical materials
Translated by Ji Liankang, "Music Historical Materials of Qin and Han Dynasties". Shanghai: Shanghai Literature and Art Publishing House, 1981.
Translated by Ji Liankang, "Music Historical Materials of Wei, Jin, Southern and Northern Dynasties". Shanghai: Shanghai Literature and Art Publishing House, 1982.
Translated by Ji Liankang, "Music Historical Materials of Sui, Tang and Five Dynasties". Shanghai: Shanghai Literature and Art Publishing House, 1986.
Translated by Ji Liankang, "Music Historical Materials of Song and Ming Dynasties". Shanghai: Shanghai Literature and Art Publishing House, 1986.

Multimedia and audio-visual materials
"Appreciation of Chinese Classical Music - Pre-Qin, Han, Wei and Six Dynasties, Tang, Song, Yuan, Ming and Qing" (6 music CDs). ACD-033-038. Beijing: Beijing Zhongshang Times Audio and Video Co., Ltd., 1998.
Edited by Wang Zichu, "Chinese Music History Teaching Reference Library" (CD-ROM). Beijing: People's Music and Audiovisual Publishing House.
National Guoguang Theater Company, "Pai An Jingqi (Introduction)" (DVD). Taipei: National Guoguang Theater Company, 2006.
Produced by Yang Jincong, "Inheritance - Yang Yinliu's 100th Birthday Commemorative Album" (2 music CDs). TCD-1023. Taipei: Feng Chao Audio Publishing Company, 2000.
Guan Pinghu, "Guan Pinghu Guqin Music Collection" (2 music CDs, with manual). RB-951005-2C. Hong Kong: Longyin Production Co., Ltd., 1995.
Guan Pinghu and others, "Encyclopedia of Chinese Music - Guqin Volume" (8 music CDs). CCD-94/342─9. China Record Corporation, 1994.