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course information of 106 - 2 | 2700 History of Chinese Music(中國音樂史)

Taught In English2700 - 中國音樂史 History of Chinese Music


教育目標 Course Target

※課程目標 (Course Objectives) 中國音樂史是以華夏為中心的中國文化,以漢族為中心,同時兼容並蓄於鄰近族群的涵容。「音樂」是它主要的載體,「時間」是其發展的重要動脈,如同一幅綿延不斷的歷史卷軸,環環相互扣連,每一個朝代的音樂形式與風格,皆相互的傳承與影響;音樂史的課程分成兩種形式,一類是以時間的段代為鋪陳,敘述音樂風格與型態的各類發展,「史觀」為其著重的方向,另一類則以音樂型態為分類,論述在時間洪流中的分段衍化與歷史脈絡,「形式觀」則是課程重點,本學期將以這兩種方法論,交叉驗證於中國音樂的形式與風格。 本課程為大學部之學年課程,分為上下學期講授。上學期講授範圍為遠古至隋唐時期的燕樂大曲,下學期講授範圍為宋元明清的戲曲至近代。第一學期課程著重從遠古至隋唐的音樂歷史脈絡的釐清,從物質文化的遺跡中,考述音樂的多元發展,深入淺出地,刻畫春秋至隋唐五代中,中國音樂的流變與演進,最後集大成於兼容語彙之「燕樂大曲」,為即將承接的「戲曲」年代鋪陳備蓄。 第二學期的課程著重於「宋、元、明、清」四個朝代,音樂承接自隋、唐、五代的民歌、曲子與燕樂歌舞等眾多養份,發展至宋朝之後,形式轉往結合多元藝術型態的戲劇,並且越漸成熟、發揚至極,成為中國音樂最重要的標記,例如從民歌類型的中國各地方言與聲腔,結合故事段本和身段動作,逐漸形成地方戲曲,直至今日,成為中國音樂最引人注目的篇章;本課程將深入淺出,探討中國音樂史的各項音樂型類與縱深,以期完整釐清與建立音樂史學的通盤架構和發展。 本課程除了對中國音樂文化的介紹,也將領域擴及至歷史上經由通商或征戰等緣故,與中國交融之東亞、北亞、中亞與東南亞等區域音樂的喜好與了解,企圖完整建立中國音樂的審美進程與層次脈絡,進一步體驗不同社會時代的生活文化與藝術價值。 ※Course Objectives Chinese music history is a Chinese culture centered on Huaxia, with Han ethnic group as the center, and is compatible and embraces the inclusion of neighboring ethnic groups. "Music" is its main body, and "time" is an important movement in its development. It is like a continuous historical scroll, with rings interlocking each other, and the music forms and styles of each dynasty are mutually inherited and influenced by each dynasty; The courses of music history are divided into two forms, one is to use the time segment as the father, Describe the development of music styles and patterns, "historical view" is its important direction. Another category is classified by music patterns, discussing the segmented evolution and historical connections in the torrent of time, "formal view" is Course focus, this study will be discussed in these two methods, cross-verification of the form and style of Chinese music. This course is the annual course of the university department and is divided into lectures during the upper and lower school periods. In the first period, the scope of the Yanle songs from ancient times to the Sui and Tang dynasties, and in the next period, the scope of the Song, Yuan, Ming and Qing dynasties to modern times. The first course focuses on the clearing of the music history structure from ancient times to the Sui and Tang dynasties, and from the perspective of material culture, it examines the diverse development of music, penetrates into the clear place, carves the transformation and evolution of Chinese music from the Spring and Autumn Period to the Sui and Tang Dynasties, and finally gathers the great achievements. In the compatible vocabulary "Yanle Daqu" is the era of "The Song" that will be accepted. The course in the second period focused on the four dynasties of "Song, Yuan, Ming and Qing dynasties". Music inherited a lot of folk songs, songs, Yan songs and dances from the Sui, Tang and Five Dynasties. After the Song Dynasty, the form was transformed into a combination. The drama with diverse artistic styles has become more mature and more developed, becoming the most important mark of Chinese music, such as The Chinese local dialects and voices of folk songs combine the story and character movements to gradually form local songs. Until today, it has become the most eye-catching chapter of Chinese music; this course will be thoroughly drawn to explore various music types in the history of Chinese music. and deep, in order to completely clear and establish a comprehensive structure and development of music history. In addition to introducing Chinese music culture, this course also expands its territory to the historical process, through trade or war, and integrates with China, and aims to establish a complete Chinese musical experience in the East Asia, North Asia, Central Asia and Southeast Asia. The process of aesthetics and the integration of levels, further experiencing the life culture and artistic value of different social eras.


課程概述 Course Description

中國音樂史是以華夏為中心的中國文化,以漢族為中心,同時兼容並蓄於鄰近族群的涵容。「音樂」是它主要的載體,「時間」是其發展的重要動脈,如同一幅綿延不斷的歷史卷軸,環環相互扣連,每一個朝代的音樂形式與風格,皆相互的傳承與影響;音樂史的課程分成兩種形式,一類是以時間的段代為鋪陳,敘述音樂風格與型態的各類發展,「史觀」為其著重的方向,另一類則以音樂型態為分類,論述在時間洪流中的分段衍化與歷史脈絡。
Chinese music history is a Chinese culture centered on Huaxia, with Han ethnic group as the center, and is compatible and embraces the inclusion of neighboring ethnic groups. "Music" is its main body, and "time" is an important movement in its development. It is like a continuous historical scroll, with rings interlocking each other, and the music forms and styles of each dynasty are mutually inherited and influenced by each dynasty; Music History Course Score There are two forms. One is to use the time segment as the classic, describing the development of music style and pattern. "Historical View" is its important direction. The other is to classify music patterns, describing the time torrent. segmented evolution and historical connection.


參考書目 Reference Books

 相關參考書目 (Other Useful Readings)
王光祈,《中國音樂史》。台北:中華書局,1981(台七版)。
吳釗、劉東升,《中國音樂史略》。北京:人民音樂出版社,1983。
汪毓和,《中國近現代音樂史》(第二次修訂版)。北京:人民音樂出版社,2002。
楊蔭瀏,《中國古代音樂史稿》。台北:大鴻(丹青),1985。
楊蔭瀏,《中國音樂史綱》。台北:樂韻,1996(台北初版)。
劉再生,《中國古代音樂史簡述》。北京:人民音樂出版社,2006。
劉東升、袁荃猷編撰,《中國音樂史圖鑑》。北京:人民音樂,1988。
薛宗明,《中國音樂史‧樂器篇》。台北:商務印書館,1983。
薛宗明,《中國音樂史‧樂譜篇》。台北:商務印書館,1981。
黃翔鵬,《中國古代音樂史:分期研究及有關新材料、新問題》。台北:漢唐樂府,1997。
張庚、郭漢城,《中國戲曲通史》。台北:丹青圖書,1985。
許健,《琴史初編》。北京:人民音樂出版社,1982。
傅雷,《傅雷家書》。香港:三聯書店,2006(增訂本)。
廖奔、劉彥君,《中國戲曲發展史》。太原:山西教育出版社,2003。
蔡仲德,《中國音樂美學史》。北京:人民音樂出版社,1995。
余甲方,《中國古代音樂史》。上海:人民音樂出版社,2003。
余甲方,《中國近代音樂史》。上海:人民音樂出版社,2006。

工具書
中國大百科全書音樂舞蹈編輯委員會,《中國大百科全書 音樂 舞蹈》。臺北縣:錦繡,1993(正體字版)。
張樂水、戴安琳編,董榕森總校訂,《中國音樂辭典》。台北:長春樹書坊,1985。
薛宗明,《中外音樂大事年表》。台北:臺灣商務,1989。

史料
吉聯抗輯譯,《秦漢音樂史料》。上海:上海文藝出版社,1981。
吉聯抗輯譯,《魏晉南北朝音樂史料》。上海:上海文藝出版社,1982。
吉聯抗輯譯,《隋唐五代音樂史料》。上海:上海文藝出版社,1986。
吉聯抗輯譯,《宋明音樂史料》。上海:上海文藝出版社,1986。

多媒體與影音資料
《中國古典音樂欣賞─先秦.漢魏六朝.唐.宋.元.明.清》(6張音樂CD)。ACD-033-038。北京:北京中唱時代音像有限公司,1998。
王子初主編,《中國音樂史教學參考圖庫》(CD-ROM)。北京:人民音樂音像出版社。
國立國光劇團,《拍案京奇(概論篇)》(DVD)。台北:國立國光劇團,2006。
楊錦聰監製,《傳承─楊蔭瀏百年誕辰紀念專輯》(2張音樂CD)。TCD-1023。台北:風潮有聲出版公司,2000。
管平湖,《管平湖古琴曲集》(2張音樂CD,附手冊)。RB-951005-2C。香港:龍音製作有限公司,1995。
管平湖等,《中國音樂大全‧古琴卷》(8張音樂CD)。CCD-94/342─9。中國唱片總公司,1994。

 Related reference books (Other Useful Readings)
Wang Guangqi, "History of Chinese Music". Taipei: China Chinese Book Bureau, 1981 (Taiwan Seventh Edition).
Wu Yan and Liu Dongsheng, "A Brief History of Chinese Music". Beijing: People's Music Publishing House, 1983.
Wang Yuhe, "History of Modern Music in China" (Second Revised Edition). Beijing: People's Music Publishing House, 2002.
Yang Zhizhang, "Draft History of Ancient Chinese Music". Taipei: Dafeng (Danqing), 1985.
Yang Zhizhang, "History of Chinese Music". Taipei: Le Yi, 1996 (Taipei first edition).
Liu Rebirth, "A Brief History of Ancient Chinese Music". Beijing: People's Music Publishing House, 2006.
Written by Liu Dongsheng and Yuan Quanyou, "Chinese Music History Pictures". Beijing: People's Music, 1988.
Xue Zongming, "History of Chinese Music: The Book of Music". Taipei: Commercial Press Library, 1983.
Xue Zongming, "History of Chinese Music: A Song of Songs". Taipei: Commercial Printing Library, 1981.
Huang Xiang, "History of Ancient Chinese Music: Phase Study and Related New Materials and New Questions". Taipei: Han Tang Le Mansion, 1997.
Zhang Geng and Guo Hancheng, "General History of Chinese Songs". Taipei: Danqing Book, 1985.
Xu Jian, "The First Editing of the History of the Qin". Beijing: People's Music Publishing House, 1982.
Fu Lei, "Fu Lei's Family Book". Hong Kong: Sanlian Bookstore, 2006 (added book).
Liao Ben and Liu Zhenjun, "History of the Development of Chinese Music". Taiyuan: Shanxi Education Press, 2003.
Cai Zhongde, "History of Chinese Music Aesthetics". Beijing: People's Music Publishing House, 1995.
Yu Jiafang, "History of Ancient Chinese Music". Shanghai: People's Music Publishing House, 2003.
Yu Jiafang, "History of Modern Chinese Music". Shanghai: People's Music Publishing House, 2006.

Tool Book
Chinese Encyclopedia Music Dance Editorial Committee, "Chinese Encyclopedia Music Dance". Taipei County: 未分类, 1993 (formal version).
Edited by Zhang Leshui and Dai Anlin, compiled by CEO Dong Rongsen, "Chinese Music Dictionary". Taipei: Changchun Tree Bookstore, 1985.
Xue Zongming, "Chronology of Chinese and Foreign Music Events". Taipei: Taiwan Business, 1989.

Historical Materials
Jitong Anti-Editor, "Historical Materials of Qin and Han Music". Shanghai: Shanghai Wenyi Publishing House, 1981.
Jitong Anti-Chengdu, "Historical Materials of Music from the Southern and Northern Dynasties" Shanghai: Shanghai Wenyi Publishing House, 1982.
Jitong Anti-Travel, "Historical Materials of Music from the Sui, Tang and Five Dynasties". Shanghai: Shanghai Wenyi Publishing House, 1986.
Jitong Anti-Editor, "Historical Materials of Song and Ming Music". Shanghai: Shanghai Wenyi Publishing House, 1986.

Multimedia and audio and video data
"Appreciation of Chinese Classical Music-Pre-Qin, Han, Wei and Six Dynasties, Tang, Song, Yuan, Ming and Qing" (6 music CDs). ACD-033-038. Beijing: Beijing Zhongchang Times Audio and Video Co., Ltd., 1998.
Editor of Wang Zichu, "Reference Library for Chinese Music History Teaching" (CD-ROM). Beijing: People's Music Audio and Video Publishing House.
National Optical Group, "Pairen Jingqi (Overview)" (DVD). Taipei: National Optical and Technological Group, 2006.
Yang Jian Supervisor, "Inheritance-Yang Zhi's Centennial Memorial Collection" (2 Music CDs). TCD-1023. Taipei: Fengchao Yousheng Publishing Company, 2000.
Guan Pinghu, "Collection of Guan Pinghu Guqin Music" (2 music CDs, with handwritten). RB-951005-2C. Hong Kong: Longyin Manufacturing Co., Ltd., 1995.
Guan Pinghu et al., "Chinese Music Collection: Guqin Scroll" (8 Music CDs). CCD-94/342-9. China Records Corporation, 1994.


評分方式 Grading

評分項目 Grading Method 配分比例 Grading percentage 說明 Description
期中考期中考
Midterm exam
30
期末考期末考
Final exam
30
出席率出席率
Attendance rate
20
期末報告期末報告
Final report
20

授課大綱 Course Plan

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Course Information

Description

學分 Credit:2-2
上課時間 Course Time:Wednesday/1,2[MU319]
授課教師 Teacher:魏心怡
修課班級 Class:音樂系2
選課備註 Memo:外系可選修
This Course is taught In English 授課大綱 Course Plan: Open

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