這是強調透過數位媒體進行藝術創作的課程。透過電腦繪圖技術的加強與輔助，以數位軟體的特性化表現，研究關於當代議題的圖/影思考，進行具濃厚藝術性觀念的作品創作。
本課以主題化方式分析範例，並於實作中具體探索、回應當代藝術視覺發展中的時空間脈絡、身體知覺、美學背景、技術條件與溝通策略等議題，在一系列風格操作課程中，鍛鍊出技術力與審美文化視野。
This is a course that emphasizes artistic creation through digital media. Through the enhancement and assistance of computer drawing technology, we study drawing/film thinking about contemporary issues with the characteristic expression of digital software, and carry out works with strong artistic conception creation.
This course analyzes examples in a theme-based way, and explores and responds to the time and space ties, body knowledge, aesthetic background, technical conditions and communication strategies in the development of contemporary art vision. In a series of style operation courses, we develop technical strength and aesthetic cultural vision.
此課程強調數位媒體的應用。透過電腦繪圖技術，強調數位軟體的特性表現，並在實務技術如完稿、出版、印刷等概論分享，引導學生進行兼具功能性與藝術性觀念的創作。
This course emphasizes the application of digital media. Through computer drawing technology, we emphasize the performance of the characteristics of digital software and share the general discussions in practical technologies such as finishing, publishing, printing, etc., to guide students to create both functional and artistic concepts.
※主要參考書籍/資料 (Textbooks and References)
王品驊等著，台灣當代美術大系，行政院文建會與藝術家出版社
Catherine Grout著，藝術介入空間，遠流出版社
游閔州著，Photoshop影像密碼：不存在主義，松崗出版社
蕭立文著，達標！Photoshop CS5，上奇資訊出版社
恩光技術團隊-林定杰、郭姮劭著，跟我學Photoshop CS5一定要會的影像處理技巧，碁峰出版社
施威銘研究室著，正確學會 Illustrator 的 16 堂課，旗標出版社
薛清志著，達標！Illustrator CS5，上奇資訊出版社
Uta Grosenick, “Art Now”, Taschen GmbH, 2008
Artpower, “Spatial and Graphic Design for Event and Exhibition”, Artpower, 2009
Mitsuo Katsui, Graphic Design in Japan 2010, JAGDA, 2010
Jonathan Fineberg, “Art Since 1940- Strategies of Being”, Prentice Hall, Inc., 2000
Barbara Maria Stafford,“Good Looking”, Massachusetts Institute of Technology, 2000
Barbara Maria Stafford, “Body Criticism”, MIT Press, Cambridge, 1994
Bice Curiger, Fresh Cream, Phaidon Press Inc.,2000
Ruhrberg, Schneckenburger, Fricke, Honnef, “Art of the 20th Century”, Taschen, Germany
※Main reference books/data (Textbooks and References)
Wang Pinyang is waiting, Taiwan's Contemporary Arts Department, Executive Yuan Cultural and Construction Association and Artist Publishing House
By Catherine Grout, Art Intervention Space, Far Publishing House
Written by Youguanzhou, Photoshop image password: There is no meaning, Songgang Publishing House
I have written a book and reached the mark! Photoshop CS5, Shangqi Information Publishing House
Enguang Technology Team - by Lin Dingjie and Guo Yongshao, learn from us about the image processing skills that must be done in Photoshop CS5, Qifeng Publishing House
Author of Shi Weiyan Research Office, 16 classes in Illustrator, Flag Press
Xue Qingzhi wrote, meet the mark! Illustrator CS5, Shangqi Information Publishing House
Uta Grosenick, “Art Now”, Taschen GmbH, 2008
Artpower, “Spatial and Graphic Design for Event and Exhibition”, Artpower, 2009
Mitsuo Katsui, Graphic Design in Japan 2010, JAGDA, 2010
Jonathan Fineberg, “Art Since 1940- Strategies of Being”, Prentice Hall, Inc., 2000
Barbara Maria Stafford, “Good Looking,” Massachusetts Institute of Technology, 2000
Barbara Maria Stafford, “Body Criticism”, MIT Press, Cambridge, 1994
Bice Curiger, Fresh Cream, Phaidon Press Inc.,2000
Ruhrberg, Schneckenburger, Fricke, Honnef, “Art of the 20th Century”, Taschen, Germany
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 作品創意作品創意 Creative work |
30 | |
| 美學視野美學視野 Aesthetics |
30 | |
| 技術能力技術能力 Technical abilities |
40 |
