教學目標：
書法線條與美感為東方藝術表現之特質，除本身鮮明獨特的質地外，更與許多藝術創作媒材間有相當程度的關連。本課程希望藉對書法線條的領會除卻在書法表像上的學習與理解外，應有深刻而具內涵的性情表達，進而思考書法在現代藝術創作中所具備的獨特表述性與展現文化思惟的觀照。
教學大綱：
一、對於書法技法運用的概述，引導認知書寫過程各體間從單字間架到通篇行氣的理解及佈局
章法的變化關係。
二、瞭解歷代書體形成的風格特徵，培養在書寫之外鑑賞書法神采、氣韻之美，著重各體書風
的情性表達，並思考與創作表現間的關係。
三、就書法形式、結構、線條等創作思考與表現，依進度作書法小品、對聯、橫幅、條幅、聯
屏之運用與練習，理解對創作形式之於生活實用與藝術設計間的表現內涵。
四、透過各體臨習的階段演練，認識書法藝術是融合技巧與神韻所傳達出文化精髓與審美意識
的整體結合形式，並能熟練的技術養成與汲取創作養分。
五、藉賞析古典書法藝術，涉獵其思想文學內容，進而能思考其時代意義及人文精神內涵。理
解書法從文字實用功能到藝術表現的歷程，期能領會書法、篆刻藝術的內容、風格變化與美感體驗。
六、從實際複製品的鑑賞理解書法、篆刻內容在書法表現及文人繪畫與題跋、款識鑑定關係上
的相關問題，深化創作內容形式與生命情感的呈現所對應的層次厚度 。
七、對於書法書寫與鑑賞能力的啟發，藉由臨寫過程於形式、結構、筆墨與情性美感的領會，
發掘自身對作品審美的不同思考。
八、認識古典及近、現代中國、日本、台灣等地書家作品所表現的脈絡及思想，對比自我風格
形成的創作語彙與發展可能性，探究書法表現在當代所能形成的發展趨勢。Teaching objectives:
The lines of writing and beauty are the characteristics of Oriental art, in addition to their distinctive quality, are also related to many artistic creation media to a certain extent. This course hopes that in addition to learning and understanding on the calligraphy representation, the course should have profound and connotational expressions, and further consider the unique expressions of calligraphy in modern artistic creation and the view of cultural thinking.
Teaching Note:
1. Overview of the application of book techniques and techniques, and guide the understanding and layout of various types of books writing from single characters to the whole trend.
The relationship between changes in layout.
2. Understand the style characteristics formed by the ancient books, cultivate the beauty of the spiritual and atmosphere outside of writing, and focus on various books.
and think about the relationship with creative expression.
3. Think and express the creative thinking and expression of the form, structure, line, etc. of the book method, and write sketches, connections, straits, lines, and connections according to the progress.
The use and practice of screens understand the expression of creative forms in the practical and artistic design.
4. Through stages of practice in various aspects, we recognize that the art of calligraphy is the fusion technique and the essence of culture and the aesthetic consciousness conveyed by the gods.
The overall combination form and skillful technology to cultivate and absorb creative cultivation.
5. By analyzing classical calligraphy art, we can focus on their ideological and literary content, and then we can think about the meaning of the times and the connotation of humanistic spirit. reason
The solution is from the practical function of text to the artistic expression, and it is expected to experience the content, style changes and aesthetic experience of calligraphy, seal carving art.
6. Understand the book and seal carving content from the actual copying of the product in terms of book expression, literati paintings, topics, and textbook identification and identification
The relevant problems of the creation content form and the presentation of life emotions are deepened.
7. For the creation of writing and evaluating skills, through the writing process, the association of form, structure, pen and emotional beauty,
Explore your own different thoughts on the beauty of your works.
8. Understand the qualities and ideas expressed in the works of classical and modern Chinese, Japanese, Taiwan and other places, and compare their own styles.
The creation and development possibilities formed, and explore the development trends that can be formed by calligraphy in the present modern times.
課程引領學生在書法創作上，能具備基本臨寫與完成自運的能力；並能掌握各書體相關 創作的技巧與美感風格，進而釐清創作與個人思考的關聯性。
The course leads students to have the ability to write and complete their own work in writing skills; and can master the skills and aesthetic styles of each book related to creation, and thus clarify the relationship between creation and personal thinking.
《于右任書法藝術之研究 彙編》。台灣省立美術館出版。
《至人無法—故宮上博珍藏八大石濤書畫精品》。澳門藝術博物館出版。
《中國美術全集 書法篆刻篇》。錦繡出版。
《歷代書法論文選》。上海書畫出版。
蔣勳。漢字書法之美。遠流出版。
沈尹默等。《名家談書法》。香港：商務印書館出版。
熊秉明。《中國書法理論體系》。雄獅圖書出版。
李澤厚。《美的歷程》。元山出版。
邱振中。《書寫與觀照—關於書法的創作、陳述和批評》。中國人民大學出版。
陳振濂。《線條的世界》。浙江大學出版。
姜一涵。《書道美學隨緣談》。國立台灣藝術館出版。
（日）河內利治。承春先 譯。《漢字書法審美範疇考釋》。上海社會科學院出版。
劉小晴。《中國書學技法評注》。上海書畫出版。
陳大中。《當代書法創作模式與流派研究》。榮寶齋出版。
劉宗超。《中國書法現代創變理路之反思》。江西美術出版。
徐利明。《中國書法風格史》。河南美術出版。
陳方既 雷志雄。《書法美學思想史》。河南美術出版。
韓玉濤。《書論十講》。江蘇教育出版。
《傳統與實驗》。傳統與實驗書藝雙年展。何創時書法藝術基金會出版。
《漢字書藝大展》。蕙風堂出版。
《圖說日本書道史》墨スペシャル12。株式會社芸術新聞社出版。
"Research on the Art of Yu Youren's Book and the Art of Law" Published by Taiwan Provincial Art Museum.
"The Unable to the Emperor - The Eight Great Stone Books Collection of Eight Great Stone Books on the Palace Shangbo". Published by the Macau Art Museum.
"Complete Collection of Chinese Arts, Book and Seal Carving". Published by 王子.
"Selected Legal Literature of the Past Age". Shanghai Book Publishing.
联联. The beauty of Han calligraphy. Published far from the stream.
Shen Yinmo and others. "Talking about Famous Artists". Hong Kong: Published by Commercial Printing Library.
Xiong Bingming. "China Book Legal System". Published by the Lion Book.
Li Zehou. "The Journey of Beauty". Published by Yuanshan.
Qiu Zhenzhong. "Bookwriting and Viewing - Creation, Declaration and Criticism about Book Law". Published by Renmin University of China.
Chen Zhenlian. "The World of Lines". Published by Zhejiang University.
Jiang Yihan. "All-in-Language of Book Aesthetics". Published by the National Taiwan Art Museum.
(Japan) Hanai is well-managed. Chengchunxian translated. "Examination of the Hanzi Book Law on Appreciation of Beauty and Scheming". Published by Shanghai Institute of Social Sciences.
Liu Xiaoqing. "Review of Chinese Book Techniques". Shanghai Book Publishing.
Chen Dazhong. "Research on Contemporary Book Creation Models and Schools". Published by Rongbao.
Liu Zongchao. "Reflection on the Modern Creation and Change of Chinese Book Law". Jiangxi Art Publishing.
Xu Liming. "History of Chinese Book Styles". Henan Art Publishing.
Chen Fangji Lei Zhixiong. "History of Thoughts in Books and Francisco". Henan Art Publishing.
Korean jade matte. "Ten Lectures on Books". Published by Jiangsu Education.
"Traditional and Experience". Double Annual Exhibition of Traditional and Experimental Book Arts. He Chuangshi Book Art Foundation published.
"Hanzi Book Exhibition". Published by Huifengtang.
"The History of Japanese Books" Mo スペシャル12. Published by Yun Yi News Co., Ltd.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 臨摹作品或創作作品臨摹作品或創作作品 A copy or creative work |
60 | 原則上每一至二週作品對開或全開一件並落款 |
| 上課出席率與課程參與度上課出席率與課程參與度 Class attendance rate and course participation |
40 | 無故缺席3次者按規定扣考。缺席數達全學期上課時數1/3者按規定扣考﹝6次﹞。每週上課請主動發表進度或問題與教師討論，每次均將列入上課參與度成績。 |
