繪畫與電影是兩種看似屬性各異、相互關係卻密不可分的視覺藝術形式。本課程試圖為這兩種藝術搭起對話的橋樑，並在它們所帶來的不同視覺衝擊中，尋思繪畫的觀看邏輯，如何在電影中繼續延伸；或是電影作為第八藝術的獨特性，如何進一步拓展繪畫的詮釋空間；或是電影如何成為動態的繪畫，使兩種藝術形式能相互交融、激盪。本課程藉由繪畫與電影藝術的認識與作品賞析，並透過性別、博物館、社會政治等專題討論，與學生共同探索繪畫與電影兩種不同視覺藝術媒介的思維邏輯、呈現方式、與相互關係。Painting and movies are two seemingly different forms of visual art that are closely related to each other. This course tests the picture sets up a bridge of dialogue for these two arts, and in the different visual impacts they bring, they think about how the viewing logic of paintings continues to extend in the movie; or how the movie, as a unique feature of the eighth art, further expands the space for paintings; or how the movie becomes an dynamic painting, so that the two artistic forms can blend and inspire each other. This course uses the recognition and analysis of painting and film art, and discusses topics such as gender, museums, and social politics, to explore the thinking logic, presentation, and relationships between two different visual art media in painting and film.
孫松榮（2010）。〈展示電影記憶的美術館〉，《從電影看：當代藝術的電影痕跡與自我建構》。董冰峰、杜慶春、黃建宏、朱朱主編。台北：新星。頁119-131。
-----(2011)。〈新電影的窗框景觀，或新台灣電影的銀幕脈動：從侯孝賢的反身性呈現到蔡明亮的造形展示〉，《電影欣賞學刊》（14），2011年6月。頁39-54。
-----(2012)。〈擴延地景的電影邊界：論蔡明亮從〈不散〉至影像裝置的非／藝術性〉，《現代美術學報》第23期，2012年5月，頁27-50。
-----(2014)。《入鏡｜出鏡：蔡明亮的影像藝術與跨界實踐》。台北：五南。
卜正民(Timothy Brook)著/黃中憲譯：維梅爾的帽子–從一頂帽子看世界貿易，遠流 2009。
毛莉琪亞．塔薩提斯(Maurizia Tazartes)著/楊翕如譯：天才藝術家系列：維梅爾（附DVD，閣林 2013。
寶菈．拉培利（Paola Rapelli）著/蘇依莉譯：天才藝術家系列：哥雅（附DVD），閣林 2013。
Hendrik Willem van Loon著/朱子儀，張祖對譯：黑暗中的亮光，米娜貝爾 2001。
Linda Nochlin著/游惠貞譯：女性、藝術與權力，遠流 2005。
陳炎鋒著：日本浮世繪簡史（修訂二版），藝術家 2010。
Sun Song Rong (2010). "Art Museum Showing Movie Memory", "Watch from Movies: Movie Traces and Self-Construction of Contemporary Art". Editorial by Dong Bingfeng, Du Qingchun, Huang Jianhong and Zhu Zhu. Taipei: Nova. Page 119-131.
-----(2011). "The view of the window frame of a new movie, or the silver screen of a new Taiwanese movie: From Hou Xiaoqin's reflexiveness to the display of Cai Mingliang's shape", "Film Appreciation Journal" (14), June 2011. Page 39-54.
-----(2012). "The film boundary that extends the landscape: On the non-artistic nature of Tsai Mingliang from "Don't Spread" to the non-artistic nature of imaging devices", "Modern Arts Journal" No. 23, May 2012, pages 27-50.
-----(2014). "Incoming the Scope | Exporting the Scope: Cai Mingliang's Image Art and Cross-border Realization". Taipei: Wunan.
By Timothy Brook/Huang Zhongying: Vimer's Hat – Looking at world trade from a top hat, far-reaching 2009.
Mao Liqiya. By Maurizia Tazartes/Yang Xiru: Genius Artist Series: Vimer (with DVD, Villin 2013.
Baola. By Paola Rapelli/Suyili: Genius Artist Series: Goya (with DVD), Gulin 2013.
By Hendrik Willem van Loon/Zhu Ziyi, Zhang Zushi: The Light in the Dark, Minaber 2001.
By Linda Nochlin/Translation of You Hui: Women, Art and Power, Far 2005.
Written by Chen Yanfeng: A brief history of Japanese Ukiyo Era (revised second edition), Artist 2010.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 到課率到課率 Class Rate |
30 | |
| 期中分組口頭報告期中分組口頭報告 Mid-term division head report |
30 | |
| 期末個人書面報告期末個人書面報告 End of personal letter report |
40 |
