繪畫與電影是兩種看似屬性各異、相互關係卻密不可分的視覺藝術形式。本課程試圖為這兩種藝術搭起對話的橋樑，並在它們所帶來的不同視覺衝擊中，尋思繪畫的觀看邏輯，如何在電影中繼續延伸；或是電影作為第八藝術的獨特性，如何進一步拓展繪畫的詮釋空間；或是電影如何成為動態的繪畫，使兩種藝術形式能相互交融、激盪。本課程藉由繪畫與電影藝術的認識與作品賞析，並透過性別、博物館、社會政治等專題討論，與學生共同探索繪畫與電影兩種不同視覺藝術媒介的思維邏輯、呈現方式、與相互關係。

Painting and film are two visual art forms that seem to have different attributes but are inseparable from each other. This course attempts to build a bridge of dialogue between these two arts, and in the different visual impacts they bring, it explores how the viewing logic of painting can continue to be extended in movies; or how the uniqueness of movies, as the eighth art, can further expand the interpretation space of paintings; or how movies can become dynamic paintings, allowing the two art forms to blend and stir with each other. This course uses the understanding of painting and film art and appreciation of works, and through special discussions on gender, museums, social politics, etc., to explore with students the thinking logic, presentation methods, and interrelationships of two different visual art media, painting and film.

孫松榮（2010）。〈展示電影記憶的美術館〉，《從電影看：當代藝術的電影痕跡與自我建構》。董冰峰、杜慶春、黃建宏、朱朱主編。台北：新星。頁119-131。
-----(2011)。〈新電影的窗框景觀，或新台灣電影的銀幕脈動：從侯孝賢的反身性呈現到蔡明亮的造形展示〉，《電影欣賞學刊》（14），2011年6月。頁39-54。
-----(2012)。〈擴延地景的電影邊界：論蔡明亮從〈不散〉至影像裝置的非／藝術性〉，《現代美術學報》第23期，2012年5月，頁27-50。
-----(2014)。《入鏡｜出鏡：蔡明亮的影像藝術與跨界實踐》。台北：五南。
卜正民(Timothy Brook)著/黃中憲譯：維梅爾的帽子–從一頂帽子看世界貿易，遠流 2009。
毛莉琪亞．塔薩提斯(Maurizia Tazartes)著/楊翕如譯：天才藝術家系列：維梅爾（附DVD，閣林 2013。
寶菈．拉培利（Paola Rapelli）著/蘇依莉譯：天才藝術家系列：哥雅（附DVD），閣林 2013。
Hendrik Willem van Loon著/朱子儀，張祖對譯：黑暗中的亮光，米娜貝爾 2001。
Linda Nochlin著/游惠貞譯：女性、藝術與權力，遠流 2005。
陳炎鋒著：日本浮世繪簡史（修訂二版），藝術家 2010。

Sun, Songrong (2010). "Art Museum Displaying Film Memories", "Seeing from Film: Film Traces and Self-Construction in Contemporary Art". Editor-in-chief Dong Bingfeng, Du Qingchun, Huang Jianhong and Zhu Zhu. Taipei: Xinxing. Pages 119-131.
-----(2011). "The window frame view of new movies, or the screen pulse of new Taiwanese movies: from Hou Hsiao-hsien's reflexive presentation to Tsai Ming-liang's plastic display", "Journal of Film Appreciation" (14), June 2011. Pages 39-54.
-----(2012). "Expanding the Filmic Boundaries of Landscape: On Tsai Ming-Liang's Non/Artisticity from "Business" to Video Installations", Journal of Modern Art, Issue 23, May 2012, pp. 27-50.
-----(2014). "Into the Mirror｜Out of the Mirror: Tsai Ming-liang's Video Art and Cross-border Practice". Taipei: Wunan.
Written by Timothy Brook/Translated by Huang Zhongxian: Vermeer’s Hat – Looking at World Trade from a Hat, Yuanliu 2009.
Mauricia. Written by Maurizia Tazartes/Translated by Yang Xiru: Genius Artist Series: Vermeer (with DVD, Gelin 2013.
Paula. Written by Paola Rapelli/Translated by Su Yili: Genius Artist Series: Goya (with DVD), Gelin 2013.
Written by Hendrik Willem van Loon/Zhu Ziyi, translated by Zhang Zu: Light in the Dark, Minabel 2001.
Written by Linda Nochlin/Translated by You Huizhen: Women, Art and Power, Yuanliu 2005.
Chen Yanfeng: A Brief History of Japanese Ukiyo-e (Revised Second Edition), Artist 2010.