� 1. 鋼琴演奏技術之定義、流派、分類、與優劣之辨別。
� 2. 物理學與鋼琴演奏之相關原理。
� 3. 生理學與鋼琴演奏之相關原理。
� 4. 心理學與鋼琴演奏之相關原理。
� 5. 鋼琴演奏傷害的現况與形成原理。
� 6. 健康之鋼琴演奏肢體姿勢，及偏差之演奏行為的矯正。
� 7. 健康之演奏心理，以克服演奏焦慮，及怯場問題。1. 自物理學的力學理論，研究其與鋼琴演奏相關之原理。研究相關力學公式之各變項對鋼琴演奏之影響效果，並應用於實際之演奏。
2. 自生理學的理論，研究與鋼琴演奏相關之肌肉、骨骼的解剖學構造，研究其所產生之動作，與能達成之鋼琴演奏技巧。
3. 自生理化學的理論，研究與鋼琴演奏相關之能量的產生與供應，探討其鋼琴之訓練與演奏之影響。
4. 自心理學的理論，研究大腦等中樞神經系統，及其與演奏肌肉的運用之相關原理。研究人類製作音樂及鋼琴演奏技術的形成過程，探討鋼琴演奏之練習方法。
5. 經由相關之自然科學原則，研究演奏傷害之影響因素，建立正確的鋼琴演奏法之思維方式，並運用於造成傷害之演奏法的診斷、矯正與預防。
6. 怯場問題的現象研究，分析影響演奏焦慮的各種心理與生理因素，並提出各種克服的方法。� 1. The definition, genre, classification, and distinction between superiority and inferiority of piano playing techniques.
� 2. The principle of related physics and piano playing.
� 3. The principle of related physiology and piano playing.
� 4. The principle of correlation between psychology and piano playing.
� 5. The current situation and formation principle of piano performance damage.
� 6. The correctiveness of the body posture of the healthy piano playing and the deviation of the performance behavior.
� 7. Healthy playing psychology to overcome the anxiety and fear of playing. 1. From the theory of mechanics learned from physics, study the principle related to piano playing. Study the effects of the changes in the relevant learning formula on piano playing and apply them to actual performance.
2. From the theory of physiology, study the anatomical structure of muscles and bones related to piano playing, study the movements produced, and the piano playing skills that can be achieved.
3. From the theory of physiology and chemistry, study the generation and supply of energy related to piano performance, and explore the impact of piano training and performance.
4. Self-psychological theory, study the central nervous system such as brain, and its related principles to the use of playing muscles. We study the formation process of human music making and piano playing techniques, and explore the practice methods of piano playing.
5. Based on relevant natural science principles, we study the factors that affect performance damage, establish a correct way of thinking of piano playing, and use it to diagnose, correct and prevent the performance that causes damage.
6. Research on the phenomenon of cowardly problems, analyze various psychological and physiological factors that affect the performance anxiety, and propose various methods to overcome them.
Kapit, Wynn. The Anatomy Coloring Book. New York: Addison-Wesley Educational Publishers’ Inc.,1993.
Conable, Barbara. What Every Musician Needs to Know About the Body.
Mark, Thomas. What Every Pianist Needs to Know about the Body. GIA Publications, Inc. 2003.
Zinn, Marcie. Healthy Piano Playing, A Revolutionary Guide to Self-Discovery at the Piano. St. Charles (Illinois): Affordable Visions Publishing, 1995.
Alcantara, Pedro de. Indirect Procedures, A Musician’s guide to the Alexander Technique. Oxford: Oxford University Press,1997.
Kochevitsky, George. The Art of Piano Playing: a Scientific Approach. (786.3 w588 1961).
Werner, Kenny. Effortless Mastery, Liberating the Master Musician Within. New Albany: Jamey Aebersold Jazz, Inc., 1996.
劉美珠、林大豐譯(Barbara Conable著)。《音樂家的肢體開發》。桃園：原笙國際，2003。
盧秋瑩譯(Thomas Mark著)。《千萬不要學鋼琴》。桃園：原笙國際，2005。
約翰．坦納(John Tanner)。《背痛醫護錦囊》。台北：台灣省珠海出版有限公司，1994。
蔡中文。《鋼琴彈奏的力》。台北：全音樂譜出版社，1989。
梅錦榮。《神經心理學》。台北：桂冠圖書股份有限公司，1991。
柯哲銘、張嘉獻譯(John H. Warfel著)。《肌學手冊---頭部．頸部和軀幹》。台北：合記圖書出版社，1994。
柯哲銘、張嘉獻譯(John H. Warfel著)。《肌學手冊---四肢》。台北：合記圖書出版社，1994。
郭宗愷。《音樂演奏傷害之發生率與求珍》
郭宗愷。《演奏傷害傾向之行為模式》
郭宗愷。《音樂演奏之怯場心理》
郭宗愷。《舞台恐懼與演奏焦慮之紓解》
Kapit, Wynn. The Anatomy Coloring Book. New York: Addison-Wesley Educational Publishers’ Inc.,1993.
Conable, Barbara. What Every Musician Needs to Know About the Body.
Mark, Thomas. What Every Pianist Needs to Know about the Body. GIA Publications, Inc. 2003.
Zinn, Marcie. Healthy Piano Playing, A Revolutionary Guide to Self-Discovery at the Piano. St. Charles (Illinois): Affordable Visions Publishing, 1995.
Alcantara, Pedro de. Indirect Procedures, A Musician’s guide to the Alexander Technique. Oxford: Oxford University Press,1997.
Kochevitsky, George. The Art of Piano Playing: a Scientific Approach. (786.3 w588 1961).
Werner, Kenny. Effortless Mastery, Liberating the Master Musician Within. New Albany: Jamey Aebersold Jazz, Inc., 1996.
Liu Meizhu and Lin Dafeng (by Barbara Conable). "The Development of the Musician's Limbs". Taoyuan: Yuansheng International, 2003.
Lu Qiu's translation (by Thomas Mark). "Don't Learn the Piano". Taoyuan: Yuansheng International, 2005.
John. John Tanner. "Back Pain Medical Casing Case". Taipei: Taiwan Zhuhai Publishing Co., Ltd., 1994.
Cai Chinese. "The Power of Piano Playing". Taipei: Quanyin Song Publishing House, 1989.
Plum blessed. Neurophysics. Taipei: Guiguan Books Co., Ltd., 1991.
Ke Zhe-chan and Zhang Jia-ling (by John H. Warfel). "Musculature Manual---Head. "The head and the trunk". Taipei: Heshu Book Publishing House, 1994.
Ke Zhe-chan and Zhang Jia-ling (by John H. Warfel). "Musclesmanship---Four Limbs". Taipei: Heshu Book Publishing House, 1994.
Guo Zongyan. "The incidence rate of music performance damage and seeking treasure"
Guo Zongyan. "Performance Mode of Injurying the Direction"
Guo Zongyan. "Music Performance: Cowardly Psychology"
Guo Zongyan. "Explanation of the Stage Horror and Performance"
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 期中考成績期中考成績 Midterm exam results |
30 | 筆試 |
| 期未考成績期未考成績 Non-term exam results |
30 | 筆試、專題研究報告 |
| 平時指定作業平時指定作業 Normally specified action |
25 | 小報告、閱讀研究、骨頭與肌肉著色認圖 |
| 平時表現平時表現 Normal performance |
10 | 課堂參與，學習動機 |
