臺灣音樂史的探究主體為「音樂」，以「時間」為排序，層次討論音樂在不同歷史紋脈與殖民階段的種種面向。
臺灣，四面環海的蒫爾島嶼，孕育出十多個不同原住民族的發展與支脈，地景位於大陸文化與海洋文化的交會，使臺灣同處於「照葉樹林文化帶」與「黑潮洋流文化帶」，豐富了物質與非物質音樂文化的縱深。數百年來，臺灣音樂與社會脈動緊密結合、相互牽引，不同時期與不同移民，帶來自身的音樂與傳承，不同時期的統治階段與殖民政策，更直接影響臺灣音樂的發展與質變。
音樂教化政策與現代科技傳媒、西方教會人士的推動，西方音樂一步步深植於臺灣，徹底改變臺灣原有的音樂觀念和行為美學。日治時期臺灣人民對於現代性的追求和互動，深受維新運動的影響，臺灣--日本的第一個海外殖民地，同時象徵新興帝國主義在東亞取代中國，得以與西方強權平起。
戰後國民政府時期，禁制與解禁，如實反應於歌謠音樂的脈動；近代多元社會的成形與科技網絡的快速傳播，移工音樂、新住民音樂，甚至東亞流行音樂文化等，一波波為臺灣帶來轉變的浪潮。
本課程將臺灣音樂研究分成三大領域，為「臺灣音樂地圖與社會」、「臺灣傳統音樂的歷史發展與聲響變遷」、「創作音樂的緣起與發展」，試圖將臺灣音樂的形式與種類，鑲嵌於內，深入剖析臺灣社會脈動與音樂相關議題，以期認識臺灣音樂的多元面向。
The subject of Taiwanese music history is "music", sorted by "time", and discusses the types of music in different historical patterns and colonial stages.
Taiwan, the Mura Islands with a sea of all sides, has nurtured more than a dozen developments and branches of different indigenous peoples. The location is located in the intersection of mainland culture and marine culture, making Taiwan a member of the "Zhaoye Tree Forest Cultural Strap" and the "Black Tide Current Cultural Strap", enriching the depth of material and non-material music culture. For centuries, Taiwanese music and social movements have been closely linked and mutually induced. Different periods and immigrants have brought their own music and inheritance, and the governance stages and colonial policies of different periods have directly affected the development and quality of Taiwanese music.
Music education policy, modern science and technology media, and the promotion of Western church members, Western music is gradually deeply rooted in Taiwan, and has completely changed Taiwan's original music concepts and behavioral aesthetics. During the Japanese reign, the Taiwanese people's pursuit and interaction for modernity were deeply influenced by the Vishin Movement. Taiwan, Japan's first overseas colony, also symbolized that the New Hsin Empire's nationalism replaced China in East Asia and was able to rise to the right of the West.
During the post-war period of the National People's Government, bans and lifting of bans, such as the movement of singular music, the formation of modern diverse societies and the rapid spread of technology networks, mobile music, new residents' music, and even Eastern Asian pop music culture, have brought about waves of transformation to Taiwan.
This course divides Taiwanese music research into three major areas, namely "Taiwan Music Map and Society", "Historical Development and Voice Changes in Taiwan's Traditional Music", and "Initiation and Development of Creative Music". The trial map embeds the forms and types of Taiwanese music into them, and deeply analyzes the issues related to Taiwanese social movement and music in order to understand the diverse aspects of Taiwanese music.
王櫻芬，《聽見殖民地：黑澤隆朝與戰時台灣音樂調查（1943）》。台北：國立台 灣大學圖書館，2008a。
〈聽見台灣：試論古倫美亞唱片在台灣音樂史上的意義〉，《民俗曲藝》 ，2008，160：169-96 。
王櫻芬、劉麟玉，《戰時台灣的聲音：黑澤隆朝『高砂族音樂』復刻──暨漢人音樂》 。台北：國立台灣大學出版中心，2008。
李坤城，〈不插電聽唱片的時代──日治時期台灣唱片發展漫談〉。收於磺溪文化學會編《聽到台灣歷史的聲音》，5-8。台北：國立傳統藝術中心籌備處，2000。
呂鈺秀，《臺灣音樂史》。台北：五南圖書，2003。
呂錘寬，《臺灣傳統音樂》。台北：東華書局，1996。
呂錘寬，《臺灣傳統音樂概論：歌樂篇》，臺北：五南，2005。
呂錘寬，《臺灣傳統音樂概論：器樂篇》，臺北：五南，2007。
林谷芳編，《本土音樂的傳唱與欣賞》。台北：國立傳統藝術中心籌備處，2000。
林倚如，《「一串歌喉工婉轉」︰日治時期台灣藝旦音樂研究》。國立台灣大
學音樂學研究所碩士論文，2008。
林姿呈，《從日本時代台灣音樂會生活探看洋樂於近代台灣的發聲脈絡》。 國
立 台灣大學音樂學研究所碩士論文，2008。
徐亞湘，《日治時期中國戲班在台灣》。台北：南天書局，2000。
孫芝君，《日治時期台灣師範學校音樂教育之研究》。國立台灣師範大學音樂研究 所碩士論文，1996。
許常惠，《臺灣音樂史初稿》。台北：全音樂譜出版社，1994。
陳郁秀編，《臺灣音樂閱覽》。台北：玉山社，1997。 19
高雅俐，〈音樂、權力與啟蒙：從《灌園先生日記》看1920～1930年代霧峰地方
士 紳的音樂生活〉，收錄於中央研究院台灣史研究所主編《日記與
台灣史研究學術研討會論 文集》（下冊）：841-902，台北：中央研
究院台灣史研究所，2008。
陳碧娟，《臺灣新音樂史》。台北：樂韻出版社，1995。
楊麗仙，《臺灣西洋音樂史綱》。台北：橄欖文化事業基金會，1986。
顏綠芬、徐玫玲編撰，《台灣的音樂》。台北：財團法人群策會李登輝學校，2006。
顏綠芬等，《臺灣當代作曲家》。台北：玉山社，2006。
羅悅全等，《翻音造土：戰後臺灣聲響文化的探索》。臺北市：立方文化，2015。
連憲升，從《丟丟銅仔》到《阮若打開心內的門窗》--試談呂泉生早期的民歌編
、歌曲創作和他的鄉土關懷。《台灣音樂研究》5：47-75，2007。。
※影音資料
吳榮順採錄、監製，《平埔族音樂紀實系列》（8 CDs）。台北：風潮，1998。
吳榮順採錄、監製，《臺灣原住民音樂紀實》（10 CDs）。台北：風潮，1992-2001。
《聽到台灣歷史的聲音》（10 CDs）。台北：國立傳統藝術中心籌備處，2000。
台南孔廟以成書院，《古樂新傳1─雅樂十三音》。台南：台南市文化局。
台南南聲社、蔡小月唱，《南管散曲（Nan-Kouan）》。Paris: Ocora, 1992。
《跳舞時代》。台北：公共電視發行。
《留聲──華人音樂家》（4 DVDs）。台北：公共電視發行，2005。
Wang Xunfen, "Hearing the Colony: A Survey of Taiwan Music during the War of Heizhalong Dynasty (1943). Taipei: National Taiwan University Library, 2008a.
"Hearing Taiwan: Trying to discuss the meaning of ancient Meiya records in the history of Taiwanese music", "Folks and Arts", 2008, 160: 169-96.
Wang Xufen, Liu Linyu, "The Sound of Taiwan during the War: The Revival of the "Gaosa Music" of the Hei Ze Long Dynasty - Ji Hanren Music". Taipei: National Taiwan University Publishing Center, 2008.
Li Kuncheng, "The era of not inserting audio recordings - a discussion on Taiwanese record development during the Japanese reign of Japan". Included in "Speaking Taiwan's History" edited by the Suoxi Cultural Society, 5-8. Taipei: National Traditional Art Center Reserve, 2000.
"History of Taiwanese Music". Taipei: Wunan Book, 2003.
"Taiwan Traditional Music". Taipei: Donghua Book Bureau, 1996.
"Overview of Taiwan Traditional Music: Songs", Taipei: Wunan, 2005.
Wu Jing, "Overview of Taiwan Traditional Music: Qile Pian", Taipei: Wu Nan, 2007.
Edited by Lin Gufang, "Singing and Appreciation of Local Music". Taipei: National Traditional Art Center Reserve, 2000.
Lin Yiru, "A String of Singing Sexy Artists": Research on Taiwanese Artist Music during the Japanese Reign of Japan." National Taiwan University
Research on the Music Institute, 2008.
Lin Zicheng, "Exploring the Sounds of Foreign Music in Modern Taiwan from the Life of Taiwanese Music Association in the Japanese Times". Country
Lecturer's Essays from the Institute of Music Studies, Taiwan University, 2008.
Xu Yaxiang, "The Chinese Class in Taiwan during the Japanese Reign". Taipei: Nantian Book Bureau, 2000.
Sun Zhijun, "Research on Music Education in Taiwan's School of Mentals during the Japanese Reign of Japan". Music Research Institute of National Taiwan University of Music, 1996.
Xu Changhui, "A First Draft of Taiwan Music History". Taipei: Quanyin Song Publishing House, 1994.
Edited by Chen Yuxiu, "Taiwan Music View". Taipei: Yushan Society, 1997. 19
Gao Yili, "Music, Power and Enlightenment: Looking at the Fog Peak Place from the 1920s to the 1930s from "Mr. Guanyuan Diary"
The Music Life of Saints, included in the editor of "Diary and
" by the Institute of Taiwan History, Central Academy of Sciences
Taiwan History Research Research Collected Works of Arts (Part 2): 841-902, Taipei: Central Research
Institute of Taiwan History, Institute of Research Institute, 2008.
Chen Bijuan, "New History of Taiwan Music". Taipei: Lewei Publishing House, 1995.
Yang Lixian, "Taiwan Western Music History". Taipei: Olive Culture Foundation, 1986.
Written by Yan Green Fen and Xu Meiling, "Music in Taiwan". Taipei: Li Dengxiu School, Financial Group Planning Association, 2006.
Green Fen et al., "Taiwan Contemporary Composer". Taipei: Yushan Society, 2006.
Luo Qingquan et al. "Sound-making: Exploration of Taiwan's Audio Culture after the War". Taipei City: Cube Culture, 2015.
After a long journey, from "The Copper Crazy" to "Ruan Ruo's Opening Door" - Trying to discuss the early folk song editing of Lu Quansheng
, song creation and his country's relationship. "Research on Taiwan Music" 5:47-75, 2007. .
※Audio and video data
Wu Rong is recorded and monitored, "Pingpu Musical Reality Series" (8 CDs). Taipei: Fengchao, 1998.
Wu Rong is recorded and monitored, "Taiwan Aboriginal Musical" (10 CDs). Taipei: Fengchao, 1992-2001.
"The Sound of Listening to Taiwan History" (10 CDs). Taipei: National Traditional Art Center Reserve, 2000.
Tainan Kongs Yicheng Book Academy, "New Episode 1-Yellow Song of Yale". Tainan: Tainan Municipal Culture Bureau.
Tainan Nansong Society and Cai Xiaoyue sang, "Nan-Kouan". Paris: Ocora, 1992.
"Dance Age". Taipei: Public TV release.
"Speaking - Chinese Musician" (4 DVDs). Taipei: Public TV Release, 2005.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 分組報告成績分組報告成績 Sub-group report completion |
30 | |
| 期末考期末考 Final exam |
35 | |
| 平時成績平時成績 Regular achievements |
35 | (1)出席率(2)課堂表現(3)期末研究報告成績 |
