此課程強調數位媒體的應用。透過電腦繪圖技術，強調數位軟體的特性表現，並在實務技術如完稿、出版、印刷等概論分享，引導學生進行兼具功能性與藝術性觀念的創作。
這是強調透過數位媒體進行藝術創作的課程。透過電腦繪圖技術的加強與輔助，以數位軟體的特性化表現，研究關於當代議題的圖/影思考，進行具濃厚藝術性觀念的作品創作。
本課以主題化方式分析範例，並於實作中具體探索、回應當代藝術視覺發展中的時空間脈絡、身體知覺、美學背景、技術條件與溝通策略等議題，在一系列風格操作課程中，鍛鍊出技術力與審美文化視野。
1.建立數位軟體使用能力
2.理解數位軟體特性及表現潛力
3.進行具藝術性的作品創作
4.探索、回應當代藝術視覺與審美文化視野

This course emphasizes the application of digital media. Through computer graphics technology, it emphasizes the characteristic expression of digital software, and shares an introduction to practical techniques such as drafting, publishing, and printing to guide students to create creations that combine functional and artistic concepts.
This course emphasizes artistic creation through digital media. Through the enhancement and assistance of computer graphics technology, and the personalized expression of digital software, we study image/video thinking on contemporary issues and create works with strong artistic concepts.
This course analyzes examples in a thematic manner, and specifically explores and responds to issues such as time and space context, body perception, aesthetic background, technical conditions, and communication strategies in the visual development of contemporary art in practice. In a series of style operation courses, technical skills and aesthetic and cultural vision are developed.
1. Establish the ability to use digital software
2. Understand the characteristics and performance potential of digital software
3. Create artistic works
4. Explore and respond to the visual and aesthetic cultural vision of contemporary art

此課程強調數位媒體的應用。透過電腦繪圖技術，強調數位軟體的特性表現，並在實務技術如完稿、出版、印刷等概論分享，引導學生進行兼具功能性與藝術性觀念的創作。

This course emphasizes the application of digital media. Through computer graphics technology, it emphasizes the characteristic expression of digital software, and shares an introduction to practical techniques such as drafting, publishing, and printing to guide students to create creations that combine functional and artistic concepts.

王品驊等著，台灣當代美術大系，行政院文建會與藝術家出版社
Catherine Grout著，藝術介入空間，遠流出版社
游閔州著，Photoshop影像密碼：不存在主義，松崗出版社
蕭立文著，達標！Photoshop CS5，上奇資訊出版社
恩光技術團隊-林定杰、郭姮劭著，跟我學Photoshop CS5一定要會的影像處理技巧，碁峰出版社
施威銘研究室著，正確學會 Illustrator 的 16 堂課，旗標出版社
薛清志著，達標！Illustrator CS5，上奇資訊出版社
Uta Grosenick, “Art Now”, Taschen GmbH, 2008
Artpower, “Spatial and Graphic Design for Event and Exhibition”, Artpower, 2009
Mitsuo Katsui, Graphic Design in Japan 2010, JAGDA, 2010
Jonathan Fineberg, “Art Since 1940- Strategies of Being”, Prentice Hall, Inc., 2000
Barbara Maria Stafford,“Good Looking”, Massachusetts Institute of Technology, 2000
Barbara Maria Stafford, “Body Criticism”, MIT Press, Cambridge, 1994
Bice Curiger, Fresh Cream, Phaidon Press Inc.,2000
Ruhrberg, Schneckenburger, Fricke, Honnef, “Art of the 20th Century”, Taschen, Germany

Wang Pinhua et al., Taiwan Contemporary Art Department, Executive Yuan Council for Cultural Affairs and Artists Publishing House
Written by Catherine Grout, Art Intervention Space, Yuanliu Publishing House
Written by You Minzhou, Photoshop Image Code: Non-Existentialism, Songgang Publishing House
Written by Xiao Liwen, achieved the standard! Photoshop CS5, Shangqi Information Publishing House
Enguang Technical Team - Written by Lin Dingjie and Guo Hengshao, learn the image processing skills you must know in Photoshop CS5 with me, Qi Feng Publishing House
Written by Shi Weiming Lab, 16 Lessons on How to Learn Illustrator Correctly, Banner Press
Written by Xue Qingzhi, reaching the standard! Illustrator CS5, Shangqi Information Publishing House
Uta Grosenick, “Art Now”, Taschen GmbH, 2008
Artpower, “Spatial and Graphic Design for Event and Exhibition”, Artpower, 2009
Mitsuo Katsui, Graphic Design in Japan 2010, JAGDA, 2010
Jonathan Fineberg, "Art Since 1940- Strategies of Being", Prentice Hall, Inc., 2000
Barbara Maria Stafford, "Good Looking", Massachusetts Institute of Technology, 2000
Barbara Maria Stafford, "Body Criticism", MIT Press, Cambridge, 1994
Bice Curiger, Fresh Cream, Phaidon Press Inc.,2000
Ruhrberg, Schneckenburger, Fricke, Honnef, “Art of the 20th Century”, Taschen, Germany