誰說的理論，西方人，亞太地區。椹木野衣說了「惡性場所」對於日本在現代啟蒙中的批判。東亞現代性帶來的「世界邊緣精神狀態」（borderline），就日本的經驗而言，磯崎新與椹木野衣意識到的是「日本」自身的缺席、日本「現代」經驗的模糊不清與缺席，以及日本現代「美術」創作中的問題意識、意象表現與技術發展盡是歐洲現代美術的對應物，自發性的「美術」的批判意識仍屬缺席狀態。龔卓軍認為照著西方現代性的歷史邏輯來看，解嚴之後台灣的「政治藝術」的確是處於「缺席」的狀態，台灣做為西方現代性鏡射出來的「惡性場所」的必然無史邏輯。所以別人的說法，你買單嗎？還是有不同的論點？所以必須先了解「自己身體」不僅是政治概念，也是文化概念；不僅是地理空間位置，也是價值判斷尺度；在對自己身體問題的討論中，特別是屬於亞洲的自己身體問題的難以闡釋，還因為它是一個很難實體化的問題。正是如此，從夜間的身體感甦醒，才是一個自發的自主的意識，可以棄形式而重新正視自己的感知。在對自己身體問題的討論中，因為它是一個很難實體化的問題。正是如此，從夜間的身體感甦醒對應到黑暗城市，才是一個自發的自主的意識，可以棄形式而重新正視自己的感知方法。因此，我們如何有意識地斬斷與文化移殖主義，回到自己身體內部。Who said theories, Westerners, Asia Pacific. Wanki Noi said the "evil site" criticism of Japan's modern inspiration. The "borderline" brought by modernity in Eastern Asia. In terms of Japan's experience, what Nagasaki and Mujinoi knew was the absence of "Japan" itself, the ambiguity and absence of "modern" experience in Japan, and the problem consciousness, image expression and technological development in the creation of modern Japanese "Aesthetic" are all counterparts to modern European aesthetics. The critical consciousness of self-developed "Aesthetic" is still absent. Mr. Huang believed that according to the historical logic of Western modernity, the "political art" in Taiwan was indeed in a state of "absence", and Taiwan's inevitable historical logic was the "evil place" that was introduced by Western modernity lenses. So what others say, do you buy orders? Or is there a different point of view? Therefore, we must first understand that "one's body" is not only a political concept, but also a cultural concept; it is not only a geographical spatial location, but also a measure of value judgment. In the discussion of one's body problems, it is particularly difficult to understand one's body problems in Asia, but also because it is a very difficult problem. It is precisely this way that awakening from the feeling of body at night is a self-developed and independent consciousness that can abandon the form and re-correct one's perception. In discussions about one's own body problems, because it is a very difficult problem. It is precisely this way that awakening from the physical sense at night to the dark city is a self-developed and autonomous consciousness, which can abandon the form and re-correct your own perception method. Therefore, how do we intentionally break the cultural migration theory and return to our own body.
本課程主要講授內容大致分為兩部份：
(一) 建築意義之辯證：包含「第一章：從理型美學到機械美學之辯證」及「第二章：建築典範與範型移轉之思辯」兩關鍵議題之探討。
(二) 詮釋本質的模型：包含「第三章：現象本質意義之個人再詮釋學」、「第四章：場所感知溝通模式與建築語用自由度」及「第五章：意識形態與建築師之社會角色定位」等三關鍵議題之探討。
由前述兩部份有關建築意義與本質之辯證與詮釋模型之探索，期能建立一較嚴謹之建築論述內涵。
The main teaching content of this course is roughly divided into two parts:
(I) Certification of architectural meaning: includes two key topics: "Chapter 1: Certification from theoretical aesthetics to mechanical aesthetics" and "Chapter 2: Thoughts on architectural classics and scale transfer".
(II) Models that describe the essence: include three key topics, including "Chapter 3: Personal re-examination of the meaning of the essence of the phenomenon", "Chapter 4: Perceived communication mode and freedom of architectural language", and "Chapter 5: Ideological form and social role positioning of architects".
Based on the above two parts of the proof and explanatory model regarding architectural meaning and essence, we hope to establish a more serious architectural statement connotation.
《東京製造》
《我們夢想的未來都市》
《觀察者的技》(Techniques of the Observer: On Vision and Modernity in the nineteenth century)強納森．柯拉瑞(Jonathan Crary) (PDF E.)
《向拉斯維加斯學習》(Learning from Las Vegas) (PDF簡與中譯本)
《建築之麻醉》(The Anaesthetics of Architecture) 尼爾．林區(Neil Leach) (PDF E. 與中譯本)
《觀察者的技術：論十九世紀的視覺與現代性》《西洋住居史》
《關於現代建築的十六章》
《文化理論詞彙》（A Glossary of Cultural Theory）Peter Brooker王志弘譯(PDF E.)
神話學》Roland Barthes出版社：桂冠(課堂討論：小說與孩子婚姻大事照片與選舉訴求牛排與油炸馬鈴薯片深層的廣告占星術脫衣舞)
《符號禪意東洋風》Roland Barthes出版社：商務印書館(課堂討論：國家語言生活文化餐飲都市車站建築類型儀式符號物件生活禮儀地方特色)
《物體系》(Le Système des Objets) Baudrillard (1968) 出版社：時報文化(A部分P.11-P.73)
"Made in Tokyo"
"The Future City We Dream"
"Techniques of the Observer: On Vision and Modernity in the nineteenth century" is strong. Jonathan Crary (PDF E.)
Learning from Las Vegas (PDF and Chinese translation)
"The Anaesthetics of Architecture" by Nel. Neil Leach (PDF E. and Chinese translation)
"The Technique of the Observer: Discussing the Vision and Modernity of the Nineteenth Century" "History of Western Residence"
"Sixteen Chapters on Modern Architecture"
"A Glossary of Cultural Theory" (A Glossary of Cultural Theory) by Peter Brooker Wang Zhihong (PDF E.)
Mythology》Roland Barthes Publishing House: Laurel (Course discussion: photos of novels and children’s marriage events and choices for deep-fried steak and fried potato chips for ads astrology dressing)
"Symbols and Western Style" Roland Barthes Publishing House: Commercial Printing Library (Course Discussion: National Language Life Culture Restaurant Urban Station Architecture Types Ordinary Symbol Objects Life Gift House Local Features)
"Le Système des Objets" Baudrillard (1968) Publisher: Times Culture (P.11-P.73)
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 平常成績平常成績 Normal achievements |
50 | |
| 期中、末報告期中、末報告 Mid-term and final report |
25 | |
| 期中、末考期中、末考 Midterm and final exams |
25 |
