在文化意識抬頭的今天，藝文活動演出的蓬勃及多樣性，著實令人著迷。劇場設計理念的表達及專業技術製作精神，在劇場文化的薰陶下，亦成為吸引大眾前來觀看的重要因素。設計師的美學設計理念，需要技術部門的強力奧援，以充分完善的技術工程知識，來圓滿地完成設計師的夢想。本課程藉由小組作業進行練習，讓同學對劇場技術與管理有初步認識，從實務操作中獲得合作的精神、溝通的技巧、解決問題的能力及正向樂觀的態度。

Today, with the rise of cultural awareness, the prosperity and diversity of artistic and cultural activities and performances are truly fascinating. The expression of theater design concepts and the spirit of professional technical production, influenced by theater culture, have also become important factors in attracting the public to come and watch. The designer's aesthetic design concept requires strong support from the technical department to successfully complete the designer's dream with fully complete technical and engineering knowledge. This course uses group work exercises to provide students with a preliminary understanding of theater technology and management, and gain a spirit of cooperation, communication skills, problem-solving abilities and a positive and optimistic attitude from practical operations.

閱讀舞台設計大師，楊其文著/編，台北：國立臺北藝術大學。
窺看舞台，姜寀蕾譯，台北：遠流。
劇場園丁聶光炎，古碧玲著，台北：時報文化。
劇場名朝-當代大師李名覺的舞台設計美學，王孟超譯，台北：原點出版Uni-Books與台灣技術劇場協會(TATT)。
空的空間，耿一偉譯，台北：國立中正文化中心。
光的無限力量，耿一偉譯，台北：國立中正文化中心。
劇場概論與欣賞，葉子啟譯，台北：揚智。
舞台光景：林克華的設計與沉思，林克華、王婉容，台北：遠流。
世界戲劇藝術欣賞，胡耀恆譯，台北：志文。
藝術產業行銷個案集1，樓永堅，台北：智勝。
交響樂團的經營與管理：職業交響樂團的專業營運破國家音樂廳交響樂團個案研究。張慧真著，台北：麥田。
劇場管理，尹世英著，台北：書林。
舞台管理，楊淑雯譯，台北：台灣技術劇場協會。
導演手冊，邱坤良著，台北：行政院文化建設委員會。
社區劇場工作手冊，邱坤良編，台北：行政院文化建設委員會。
表演手冊，邱坤良著，台北：行政院文化建設委員會。
舞台設計手冊，邱坤良著，台北：行政院文化建設委員會。
劇場空間概說，邱坤良編，台北：行政院文化建設委員會。
劇場製作手冊，邱坤良、詹惠登著，台北：行政院文化建設委員會。
燈光設計與操作手冊，邱坤良、簡立人著，台北：行政院文化建設委員會。
技術指導概說，邱坤良、施舜晟著，台北：行政院文化建設委員會。
劇場技術手冊，施舜晟、范朝煒、連盈譯。台北：台灣技術劇場協會。
舞台技術-理論基礎與實務操作，劉達倫編，台北：臺灣戲曲學院。

Reading Masters of Stage Design, written/edited by Yang Qiwen, Taipei: National Taipei University of the Arts.
Peeping the Stage, translated by Jiang Cailei, Taipei: Yuanliu.
Theater Gardener Nie Guangyan, written by Ku Biling, Taipei: Times Culture.
Famous Theater Dynasties - The stage design aesthetics of contemporary master Li Mingjue, translated by Wang Mengchao, Taipei: Origin Publishing Uni-Books and Taiwan Technical Theater Association (TATT).
Empty Space, translated by Geng Yiwei, Taipei: National Chung Cheng Cultural Center.
The Infinite Power of Light, translated by Geng Yiwei, Taipei: National Chung Cheng Cultural Center.
Introduction and Appreciation of Theater, translated by Ye Ziqi, Taipei: Yang Zhi.
Stage Scenery: Lin Kehua’s Design and Meditations, Lin Kehua and Wang Wanrong, Taipei: Yuanliu.
Appreciation of World Theater Arts, translated by Hu Yaoheng, Taipei: Zhiwen.
Art Industry Marketing Case Collection 1, Lou Yongjian, Taipei: Zhisheng.
The operation and management of a symphony orchestra: a case study of the professional operation of a professional symphony orchestra and the National Concert Hall Symphony Orchestra. by Zhang Huizhen, Taipei: Wheatfield.
Theater Management, by Yin Shiying, Taipei: Shulin.
Stage Management, translated by Yang Shuwen, Taipei: Taiwan Technical Theater Association.
Director's Manual, by Qiu Kunliang, Taipei: Council for Cultural Development, Executive Yuan.
Community Theater Work Manual, edited by Qiu Kunliang, Taipei: Cultural Development Committee, Executive Yuan.
Performance Manual, by Qiu Kunliang, Taipei: Committee for Cultural Development, Executive Yuan.
Stage Design Manual, by Qiu Kunliang, Taipei: Committee for Cultural Development, Executive Yuan.
An Overview of Theater Space, edited by Qiu Kunliang, Taipei: Committee for Cultural Development, Executive Yuan.
Theater Production Handbook, by Qiu Kunliang and Zhan Huideng, Taipei: Council for Cultural Development, Executive Yuan.
Lighting Design and Operation Manual, by Qiu Kunliang and Jian Liren, Taipei: Cultural Development Committee, Executive Yuan.
An Overview of Technical Guidance, by Qiu Kunliang and Shi Shunsheng, Taipei: Cultural Development Committee, Executive Yuan.
Theater Technical Manual, translated by Shi Shunsheng, Fan Chaowei, and Lian Ying. Taipei: Taiwan Technical Theater Association.
Stage Technology - Theoretical Basis and Practical Operation, edited by Dalun Liu, Taipei: Taiwan Academy of Drama.