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course information of 104 - 2 | 8540 Contemporary Photography Seminar (Ⅱ)(當代影像專題(二))

Taught In English8540 - 當代影像專題(二) Contemporary Photography Seminar (Ⅱ)


教育目標 Course Target

此課程將針對當代影像美學與影像敘事等的相關議題,配合影像造型之創作訓練與思辨,帶領學生理解影像文本之美學效應、敘述結構與表達形態,學習視覺再現的思考能力,以發展跨領域之創作模式。 本學期課程將以影像作爲材料進行的創作發想與實踐,引介當代影像藝術的多元樣貌,學員透過媒材在時間、空間、想像三方面之間進行多元運用,創作者學習思考如何應用影像以及複合材料進行作品規劃,養成與創造個人在當代藝術創作的特殊語彙與思維。This course will focus on relevant issues such as contemporary image aesthetics and image narrative, combined with the creative training and thinking of image modeling, leading students to understand the aesthetic effects, narrative structure and expression form of image text, and learn the thinking ability of visual representation, so as to develop cross-field development creative mode. This semester's course will use images as materials to create ideas and practices, and introduce the diverse aspects of contemporary image art. Students will use media to make diverse uses of time, space, and imagination. Creators will learn to think about how to apply images. and composite materials for work planning, cultivating and creating personal special vocabulary and thinking in contemporary art creation.


課程概述 Course Description

此課程將透過不同影像創作技巧之探討,配合實驗電影、攝影思潮文本之閱讀與討論,訓練學生創意思考與視覺表達的能力,並加強對生活環境與社會議題之敏銳度。
This course will train students' creative thinking and visual expression abilities through the discussion of different image creation techniques, combined with the reading and discussion of experimental films and photographic ideological texts, and enhance their sensitivity to living environment and social issues.


參考書目 Reference Books

Roland Barthres著,許綺玲譯,《明室鏡語-明室攝影札記》,台北:台灣攝影,1997
Paul Virilio 著,楊凱麟譯,《消失的美學》,台北:楊智文化,2001
Walter Benjamin著,許綺玲譯,《說故事的人》,台北:台灣攝影工作室,1998
Vilem Flusser著,李文吉譯,《攝影的哲學思考》,台北:遠流出版,1998
曾曬淑著,《思考=塑造 Joseph Beuys的藝術理論與人智學》,台北:南天書局,1999
Arthur C.Danto著,陳岸瑛譯,《尋常物的嬗變:一種關於藝術的哲學》,南京:鳳凰出版,2012
Bruno Latour著,徐曉嵐、林文源、許全義譯,台北:群學出版,2012
Written by Roland Barthres, translated by Hsu Chi-ling, "Mirrors of the Lucid Room - Notes on Lucid Room Photography", Taipei: Taiwan Photography, 1997
Written by Paul Virilio, translated by Yang Kailin, "The Aesthetics of Disappearance", Taipei: Yang Zhi Culture, 2001
Written by Walter Benjamin, translated by Hsu Chi-ling, "The Storyteller", Taipei: Taiwan Photography Studio, 1998
Vilem Flusser, translated by Li Wenji, "Philosophical Reflections on Photography", Taipei: Yuanliu Publishing, 1998
Zeng Shaishu, "Thinking = Shaping Joseph Beuys's Art Theory and Anthroposophy", Taipei: Nantian Book Company, 1999
Written by Arthur C. Danto, translated by Chen Anying, "The Evolution of Ordinary Objects: A Philosophy of Art", Nanjing: Phoenix Publishing, 2012
Written by Bruno Latour, translated by Xu Xiaolan, Lin Wenyuan, and Xu Quanyi, Taipei: Qunxue Publishing House, 2012


評分方式 Grading

評分項目 Grading Method 配分比例 Grading percentage 說明 Description
課程參與表現(含出席率與課堂表現課程參與表現(含出席率與課堂表現
Course participation performance (including attendance rate and class performance
40
期中作業期中作業
midterm assignment
30
期末作業期末作業
final assignment
30

授課大綱 Course Plan

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相似課程 Related Course

選修-2633 Contemporary Photography Seminar (Ⅱ) / 當代影像專題(二) (美術系3,授課教師:丁昶文,二/8,9[FA104])

Course Information

Description

學分 Credit:0-1
上課時間 Course Time:Tuesday/12,13[FA104]
授課教師 Teacher:陳松志
修課班級 Class:美術系4,5
選課備註 Memo:
This Course is taught In English 授課大綱 Course Plan: Open

選課狀態 Attendance

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