本課程著重精神分析美學，本學期以拉岡、克里斯提娃、紀傑克等論述為主, 從身體及性別研究切入探討文藝表現中的認同、幻見、憂鬱、死亡等議題，以說明現代文化的個體矛盾及分裂傾向，並結合文本進行跨範疇的文化批評。

This course focuses on psychoanalytical aesthetics. This course focuses on the arguments of Raka, Kristiva, Jack, etc., and explores the topics of recognition, fantasy, depression, and death in the literary expression from body and gender research to illustrate the individual contradictions and separatist directions of modern culture, and combines the text to conduct cross-regional cultural criticism.

選讀並探討西方當代重要美學與文化批評學者之理論，作為研究生創作的理論參考架構，以及理論研究進階發展的基礎。本課程於不同學期將涵蓋不同學者關鍵理論之修習。

Choose to read and explore the theories of important contemporary Western aesthetics and cultural critics, as the theoretical reference structure for graduate student creation, and the basis for advanced theoretical research. This course will cover the practice of key theories of different students during different studies.

1.主要參考書籍/資料 (Textbooks and References) (教科書遵守智慧財產權觀念不得非法影印)
Pollock, Griselda編，趙泉泉 譯 (2008)。《精神分析與圖像》。南京：江蘇美術出版社。
2.陳永國主編 (2009)。《視覺文化讀本》。北京：北京大學出版社。
3.褚孝泉譯 (2001)。《拉康選集》。拉康 (Jacques Lacan) 著。上海：上海三聯書店。

1. Main reference books/references (Textbooks and References) (Textbooks and References are not allowed to illegally copy the concept of smart property rights)
Pollock, Griselda, Zhaoquanquan (2008). "Psychoanalysis and Imagery". Nanjing: Jiangsu Art Publishing House.
2.Editor Chen Yongguo (2009). "Visual Culture Reading". Beijing: Beijing University Press.
3. Chu Xiaoquan translated (2001). "Lakang Selection". By Jacques Lacan. Shanghai: Shanghai Sanlian Bookstore.