廣泛研究東西方的影像藝術，通過書畫及藝術創作的傳播途徑，再現人們生活中的事物或者虛構人們純粹的想像，表達自己對世間萬物的感受和豐富的想像力。

Extensive research on Eastern and Western video art, through the communication channels of calligraphy, painting and artistic creation, reproduce things in people's lives or fictionalize people's pure imagination to express their feelings about everything in the world and their rich imagination.

本課程以強化東方繪畫的審美能力與當代視野為目標，以實際創作為主軸，以影像的閱讀與研究為輔助，著重在重新思考藝術家於特定的歷史階段、社會背景與個人特質所交錯衍生出來的特殊主題、思維與表現途徑。借此引導學生探討相對於歷史洪流中的個人歷史：包括家族系譜、成長經驗與潛在意識等個人化的藝術資源，從而確立獨一無二的創作方向與自我風格。

This course aims to strengthen the aesthetic ability and contemporary vision of oriental painting. It takes actual creation as the main axis, and uses the reading and research of images as an aid. It focuses on rethinking the special themes, thinking and expression methods derived from the intersection of artists in specific historical stages, social backgrounds and personal characteristics. This guides students to explore their personal history relative to the current of history: including family genealogy, growth experience, subconsciousness and other personal artistic resources, thereby establishing a unique creative direction and self-style.

台灣當代美術大系(媒材篇)水墨與書法 吳超然著， 行政院文建會
水墨畫講 倪再沁著， 典藏藝術家庭
中國美術全集 錦繡出版
日本現代美術全集 集英
《中國美術史稿》李霖燦著， 雄獅圖書。

Taiwan Contemporary Art Department (Media) Ink and Calligraphy by Wu Chaoran, Executive Yuan Council for Cultural Affairs
Ink Painting Talk by Ni Zaiqin, Collecting Art Family
Complete Collection of Chinese Art Jinxiu Publishing
Complete Collection of Japanese Modern Art Collection
"History of Chinese Art" written by Li Lincan, Lion Books.