中國戲曲至明代掀起了另一個創作的高峰，除了出現與元代雜劇並駕齊驅、各領風騷的諸多優秀傳奇作品，並呈現出具有時代特色的審美標準與主題內涵。而中國戲劇理論承繼先秦以降藝術和文學理論的傳統，並隨著戲劇創作的蓬勃發展，逐漸產生了許多精微深刻的戲曲理論，而在明清兩代展現出集大成的成熟表現。
這門課將聚以明清兩代重要的戲曲理論以及傑出劇作進行討論，除了讓中文系研究生對於中國戲古典劇理論有一基礎之認識之外，同時將搭配相關劇本的閱讀與討論，檢視劇論與劇作之間的呼應關係，藉以理解古典戲曲的藝術特色以及古典劇論開展的依據，進而確立如何鑑賞古典戲劇的審美標準。Chinese opera reached another creative peak in the Ming Dynasty. In addition to the emergence of many excellent legendary works that kept pace with the Yuan Dynasty dramas and took the lead, they also presented aesthetic standards and thematic connotations with the characteristics of the times. Chinese drama theory inherited the tradition of art and literary theory since the pre-Qin Dynasty, and with the vigorous development of drama creation, many subtle and profound drama theories were gradually produced, and they showed mature expressions in the Ming and Qing dynasties.
This course will focus on the important opera theories and outstanding dramas of the Ming and Qing dynasties for discussion. In addition to giving graduate students of the Chinese Department a basic understanding of the theory of Chinese opera, it will also be paired with the reading and discussion of relevant scripts to examine the drama. The corresponding relationship between the theory and the drama is used to understand the artistic characteristics of classical drama and the basis for the development of classical drama theory, and then establish the aesthetic standards for appreciating classical drama.
主要教材：
《中國古典戲曲論著集成》十冊，中國戲劇出版社，1959年
葉長海，《中國戲劇學史稿》，上海文藝出版社，1986年
譚帆、陸煒《中國古典戲劇理論史》，北京中國社會科學出版社，1993年
清．金聖歎：《第六才子書西廂記》，北京：光明日報出版社，1997年。
清．毛聲山：《繪像第七才子書》，清雍正乙卯十三年金閶書業堂重袖珍刊本。
清．陳同、談則、錢宜：《吳吳山三婦合評牡丹亭還魂記》，收於《不登大雅庫珍本戲曲叢刊》，北京：學苑出版社，2003年據北京大學圖書館藏馬氏不登大雅文庫清夢園刻本影印。
清．洪昇：《長生殿》，收入《古本戲曲叢刊五集》，上海：上海古籍出版社，1986年據北京圖書館藏清康熙稗畦草堂刊本影印。
清．孔尚任：《桃花扇》，上海：上海書店，1986年《古本戲曲叢刊五集》影印清康熙刊本。
相關參考書目：
蔡 毅編，《中國古典戲曲序跋彙編》，齊魯書社，1989年
陳多、葉長海《中國歷代劇論選注》，湖南文藝出版社，1987年
程炳達、王衛民編著《中國歷代曲論釋評》，北京民族出版社，2000年
陳多 《李笠翁曲話注釋》，湖南人民出版社，1981年
李復波、熊澄宇《南詞敘錄注釋》，北京中國戲劇出版社，1989年
孫崇濤、徐宏圖《青樓集箋注》，北京中國戲劇出版社，1990年
王鋼 《校訂錄鬼簿三種》，河南中州古籍出版社，1991 年
吳書蔭《曲品校註》，北京中華書局，1994年
秦學人、侯作卿編《中國古典編劇理論資料匯輯》，北京中國戲劇出版社，1984年。
隗芾、吳毓華編《古典戲曲美學資料集》，北京文化藝術出版社，1992年。
李克和《中國曲學研究》，長沙岳麓書社，1999年。
李昌集《中國古代曲學史》，上海華東師範大學出版社，1997年。
齊森華《曲論探勝》，上海華東師範大學，1985年
夏寫時《中國戲劇批評的產生和發展》，北京中國戲劇出版社，1982年
夏寫時《論中國戲劇批評》，山東齊魯書社，1988年
陳竹《中國古代劇作學史》，武漢出版社，1999年。
陸林《元代戲劇學研究》，合肥安徽文藝出版社，1999年。
葉長海《王驥德曲律研究》，北京中國戲劇出版社，1983年。
趙山林《中國戲劇學通論》，合肥安徽教育出版社，1995年。
趙景深《曲論初探》，上海文藝出版社，1980年。
蔡鍾翔《中國古典劇論概要》，北京中國人民大學出版社，1988年。
謝柏梁《中國分類戲曲學史稿》，臺北臺灣商務印書館，1994年
譚源材《中國古典戲曲學論稿》，瀋陽春風文藝出版社，1993年
Main teaching materials:
"Collection of Classical Chinese Opera Treatises" in ten volumes, China Drama Publishing House, 1959
Ye Changhai, "History of Chinese Drama", Shanghai Literature and Art Publishing House, 1986
Tan Fan and Lu Wei "Theoretical History of Chinese Classical Drama", Beijing China Social Sciences Press, 1993
clear. Jin Shengtan: "The Sixth Talent's Book of the West Chamber", Beijing: Guangming Daily Publishing House, 1997.
clear. Mao Shengshan: "Book of Portraits of the Seventh Talented Scholar", a compact edition issued by Jin Chang Shuye Hall in the 13th year of Yimao reign of Emperor Yongzheng of the Qing Dynasty.
clear. Chen Tong, Tan Ze, and Qian Yi: "A Review of the Peony Pavilion Resurrection by Three Wives of Wu Wushan", collected in "Budeng Dayaku Rare Editions of Opera Series", Beijing: Xueyuan Press, 2003, according to the Ma family's collection in the Peking University Library. Photocopy of the engraving of Qingmengyuan in Deng Daya Library.
clear. Hong Sheng: "The Palace of Eternal Life", included in "Five Volumes of Ancient Opera Series", Shanghai: Shanghai Ancient Books Publishing House, 1986 photocopied from the Qing Kangxi Barnyard Thatched Cottage Collection in the Beijing Library.
clear. Kong Shangren: "The Peach Blossom Fan", Shanghai: Shanghai Bookstore, 1986 "Five Volumes of Ancient Chinese Opera Series" photocopied from the Kangxi edition of the Qing Dynasty.
Relevant bibliography:
Compiled by Cai Yi, "Compilation of Prefaces and Postscripts to Chinese Classical Operas", Qilu Publishing House, 1989
Chen Duo and Ye Changhai, "Selected Annotations on Chinese Drama in Ancient Dynasties", Hunan Literature and Art Publishing House, 1987
Cheng Bingda and Wang Weimin compiled "Commentaries on Chinese Music in Ancient Dynasties", Beijing Ethnic Publishing House, 2000
Chen Duo "Commentary on Li Liweng's Quhuahua", Hunan People's Publishing House, 1981
Li Fubo and Xiong Chengyu, "Nanci Narrative Notes", Beijing China Drama Publishing House, 1989
Sun Chongtao and Xu Hongtu, "Notes on the Brothel Collection", Beijing China Drama Publishing House, 1990
Wang Gang, "Three Types of Editing and Recording Ghost Books", Henan Zhongzhou Ancient Books Publishing House, 1991
Wu Shuyin's "Qu Pin Collation", Beijing Zhonghua Book Company, 1994
Qin Xueren and Hou Zuoqing edited "Compilation of Theoretical Materials on Chinese Classical Screenplay", Beijing China Drama Press, 1984.
"Collection of Classical Opera Aesthetics" edited by Wei Fu and Wu Yuhua, Beijing Culture and Art Publishing House, 1992.
Li Kehe, "Research on Chinese Quxue", Changsha Yuelu Publishing House, 1999.
Li Changji "History of Ancient Chinese Quxue", Shanghai East China Normal University Press, 1997.
Qi Senhua's "Exploration of Music Theory", East China Normal University, Shanghai, 1985
Xia Shushi, "The Origin and Development of Chinese Drama Criticism", Beijing China Drama Publishing House, 1982
Xia Shushi "On Chinese Drama Criticism", Shandong Qilu Publishing House, 1988
Chen Zhu, "History of Ancient Chinese Drama Studies", Wuhan Publishing House, 1999.
Lu Lin, "Research on Drama in the Yuan Dynasty", Hefei Anhui Literature and Art Publishing House, 1999.
Ye Changhai, "Research on Wang Jide's Musical Rhythms", Beijing Chinese Drama Press, 1983.
Zhao Shanlin, "General Theory of Chinese Drama", Hefei Anhui Education Press, 1995.
Zhao Jingshen's "A Preliminary Study on Music Theory", Shanghai Literature and Art Publishing House, 1980.
Cai Zhongxiang, "A Summary of Chinese Classical Drama", Renmin University of China Press, Beijing, 1988.
Xie Boliang's "History of Chinese Opera Classification", Taiwan Commercial Press, Taipei, 1994
Tan Yuancai's "Manuscript of Chinese Classical Opera", Shenyang Chunfeng Literature and Art Publishing House, 1993
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 期末報告期末報告 Final report |
50 | |
| 平時表現與口頭報告平時表現與口頭報告 Daily performance and oral reports |
50 |
