對皮影戲的製作工序、美感經驗、表演型式有完整的認識和執行能力，並積極以皮影戲教學及公演連結臺灣庶民社會，體驗相互關懷、對話的藝術生活。He has a complete understanding and execution ability of shadow puppet production processes, aesthetic experiences, and performance patterns, and actively connects Taiwanese common people's society with shadow puppet teaching and performances, and experiences a mutually friendly and dialogue-related artistic life.
檢視和討論民俗藝術的可能內容，透過皮影、剪紙等實際製作過程與教學、演出的社區參與，尋求從傳統民俗藝術經驗出發，能與新市民生活及藝術創作間可以集結的自主性文化意識與美感經驗建構。
View and discuss the possible content of folk art, through actual production processes such as shadow puppetry and paper cutting, and community participation in teaching and performance, we seek to develop from traditional folk art experience, and can integrate the independent cultural concepts that can be integrated between the lives and artistic creation of new citizens. Aesthetic experience structure.
陜西東路華縣皮影特刊/漢聲44/漢聲雜誌社
中國民間美術圖說/浙江文藝出版社
Special issue of Hua County Shadow Puppetry on Xidong Road/Hansong 44/Hansong magazine
Chinese Civilian Art Pictures/Zhejiang Art Publishing House
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 出席出席 Attend |
20 | |
| 皮偶製作皮偶製作 Made of leather puppet |
20 | |
| 團隊合作/公演團隊合作/公演 Team cooperation/performance |
40 | |
| 教學實習教學實習 Teaching practice |
20 |
