本課程期待以影像藝術的發展進程，引介當代藝術思潮的多元樣貌，學員透過影像媒體的多元運用在時間、空間、心理三方面與觀者彼此交流，創作者學習思考如何應用影像以及複合新科技材料進行作品，獨立創造個人多元的創作思維。

This course hopes to use the development process of image art to introduce the diverse aspects of contemporary art trends. Students will communicate with viewers in three aspects: time, space, and psychology through the diverse use of image media. Creators will learn to think about how to use images and composite new technological materials to create works, and independently create their own diverse creative thinking.

此課程將針對視覺影像當中的美學與影像敘事性等相關議題，配合流動影像與靜態影像之思辨訓練，帶領學生理解影像文本之美學效應、敘述結構與表達形態，學習視覺再現的思考能力，以發展跨領域之創作模式。

This course will focus on related issues such as aesthetics and image narrative in visual images, combined with critical thinking training on moving images and static images, to lead students to understand the aesthetic effects, narrative structure and expression form of image texts, learn the thinking ability of visual representation, and develop cross-field creative models.

Roland Barthres著，許綺玲譯，《明室鏡語-明室攝影札記》，台北：台灣攝影，1997
Paul Virilio 著，楊凱麟譯，《消失的美學》，台北：楊智文化，2001
Walter Benjamin著，許綺玲譯，《說故事的人》，台北：台灣攝影工作室，1998
Vilem Flusser著，李文吉譯，《攝影的哲學思考》，台北：遠流出版，1998

Written by Roland Barthres, translated by Hsu Chi-ling, "Mirrors of the Lucid Room - Notes on Lucid Room Photography", Taipei: Taiwan Photography, 1997
Written by Paul Virilio, translated by Yang Kailin, "The Aesthetics of Disappearance", Taipei: Yang Zhi Culture, 2001
Written by Walter Benjamin, translated by Hsu Chi-ling, "The Storyteller", Taipei: Taiwan Photography Studio, 1998
Vilem Flusser, translated by Li Wenji, "Philosophical Reflections on Photography", Taipei: Yuanliu Publishing, 1998