5015 - 比較文學專題:跨藝術研究 英授 Taught in English
Topics in Comparative Literature: Inter-arts Studies
教育目標 Course Target
一、引導學生關注文學與其他藝術類別之間共通互融的面向。
二、引導學生瞭解「比較文學」視域中「跨藝術研究」的可能面向與方法。
三、引導學生理解「跨藝術研究」的相關理論。
四、引導學生就所關切藝術類別與文學的關係,開啟初步研究與累積研究成果。
五、引導學生了解「策展」(curating)做為文學與其他藝術類別進行「跨藝術對話」實踐的可能。
1. Guide students to pay attention to the common and integrated aspects between literature and other art categories.
2. Guide students to understand the possible aspects and methods of "cross-arts research" in the perspective of "comparative literature".
3. Guide students to understand the relevant theories of "cross-arts research".
4. Guide students to initiate preliminary research and accumulate research results on the relationship between the art category and literature of concern.
5. Guide students to understand "curating" as a practical possibility of "cross-art dialogue" between literature and other art categories.
參考書目 Reference Books
Barthes , Roland. Image, Music, Text. Essays selected and translated by Stephen Heath, New York (Hill and Wang),1977。
Benjamin, Walter(班雅明,華特)。〈機械複製時代的藝術作品〉。《迎向靈光消逝的年代》。許綺玲譯。台北(台灣攝影工作室)。1998。
Chatman, Seymour.” What Novels Can Do That Films Can't (And Vice Versa) “. Critical Inquiry, Vol. 7, No. 1, On Narrative (Autumn, 1980), U.of Chicago P.,121-140
Fenollosa, Ernest. “The Chinese written character as a medium for poetry”.
Gaither, Mary. “Literature and the arts”.Comparative literature: Method & perspective. Stllknecht, Newton P. & Frenz, Horst ed., Southern Illinois UP .181-200
Lessing , Gotthold Ephraim, Kritische und philosophische Schriften, München (Winkler) 1974, 7-166. 中譯本: 萊辛,朱光潛譯,〈拉奧孔〉《詩與畫的界限》,台北:駱駝。原著寫於1766年
Weisstein , Ulrich (烏爾利希.偉斯坦恩)。《比較文學與文學理論》。劉象愚譯。遼寧人民出版社,1987。
王德威:〈國家不幸書家幸--臺靜農的書法與文學〉,《台大中文學報》。第三十一卷。2009年12月。1-46。
毛文芳:《物•性別•觀看—明末清初文化書寫新探》。台北:學生書局。2001。
朱衣仙:〈公共藝術場域的詩展演與詩觀寫:《清水詩路》多向文本研究〉。《輔仁學誌.人文藝術之部》,34 ,2006年12月。頁43-72。
朱衣仙:《「歧路花園文本」的認同建構:以〈陳寅恪與柳如是〉與〈加利菲亞〉為例》。輔仁大學比較文學研究所博士論文。2009。
衣若芬:《遊目騁懷—文學與美術的互文與再生》。台北:里仁書局。2011。
邱彥彬:〈視覺與觸覺的辯證接合:班雅民的閒遊者、視覺衝擊與神經支配〉。《中外文學》34:9=405,2006.02 ,69-95
許祖華等:《魯迅小說的跨藝術研究》。合肥:安徽大學出版社。2012。
凌越:〈蟬聯想象曲式.反線性的網結蟬聯想像曲式〉。《跨媒介敘事—論西西小說新生態》。北京:人民出版社。2009。
孫康宜:〈再讀八大山人詩﹣﹣文字性與視覺性、及詮釋的限定〉。《中外文學》。20:7=235。1991。4-8。
班雅明,華特(Benjamin, Walter);〈機械複製時代的藝術作品〉。《迎向靈光消逝的年代》。許綺玲譯。台北(台灣攝影工作室)。1998。1-34。
張瀛太:〈寂寞的美麗與美麗的寂寞--論汪曾祺小說中「留白」的構成與層次〉。《漢學研究》。26:2=53。2008.06,253-284。
曹順慶等;〈跨學科研究〉。《比較文學論》。台北:揚智。2003。297-316。
梁慕靈:〈想像中國的另一種方法:論劉吶鷗、穆時英和張愛玲小說的「視覺性」〉。《政大中文學報》。19。2013.06。219-260。
黃淑祺:〈解讀張愛玲--「紅玫瑰與白玫瑰」之空間與權力〉。《文訊》。2002年12月。206。66。
唐際明:〈邁耶的「米開朗基羅系列詩」:檢視雕塑藝術對「物詩」之啟發〉。《中外文學》。40:3=434。2011.09。189-245。
葉維廉:《龐德與瀟湘八景》第一章節選。台北:台大出版社。2008。16-63。
劉紀蕙主編:《框架內外﹕藝術、文類與符號疆界》。劉紀蕙主編。台北﹕立緒。1999。
鄭文惠:《文學與圖像的文化美學:想像共同體的樂園論述》。台北:里仁。2005。
羅淑君: 〈「文字介入繪畫」的起源與發展〉,《現代美術學報》。第二期。1999。55-71。
嚴紀華:〈《紅玫瑰與白玫瑰》的小說與電影〉。《中國現代文學理論》。10。2008年6月。245-256。
Barthes , Roland. Image, Music, Text. Essays selected and translated by Stephen Heath, New York (Hill and Wang), 1977.
Benjamin, Walter. "Works of Art in the Age of Mechanical Reproduction". "Towards the Age of Fading Aura". Translated by Xu Qiling. Taipei (Taiwan Photography Studio). 1998.
Chatman, Seymour." What Novels Can Do That Films Can't (And Vice Versa) ". Critical Inquiry, Vol. 7, No. 1, On Narrative (Autumn, 1980), U.of Chicago P.,121-140
Fenollosa, Ernest. “The Chinese written character as a medium for poetry”.
Gaither, Mary. "Literature and the arts". Comparative literature: Method & perspective. Stllknecht, Newton P. & Frenz, Horst ed., Southern Illinois UP .181-200
Lessing, Gotthold Ephraim, Kritische und philosophy Schriften, München (Winkler) 1974, 7-166. Chinese translation: Lessing, translated by Zhu Guangqian, "Laocoon" "The Boundary between Poetry and Painting", Taipei: Camel. Originally written in 1766
Weisstein, Ulrich. "Comparative Literature and Literary Theory". Translated by Liu Xiangyu. Liaoning People's Publishing House, 1987.
Wang Dewei: "The country's unfortunate calligrapher - Tai Jinnong's calligraphy and literature", "National Taiwan University Chinese Literature Journal". Volume 31. December 2009. 1-46.
Mao Wenfang: "Objects·Gender·Viewing—A New Exploration of Cultural Writing in the Late Ming and Early Qing Dynasties". Taipei: Student Bookstore. 2001.
Zhu Yixian: "Poetry Performance and Poetry Writing in Public Art Fields: A Multi-directional Text Study of "Qingshui Poetry Road"". "Fu Ren Xuezhi." Department of Humanities and Arts, 34, December 2006. Pages 43-72.
Zhu Yixian: "Identity Construction of "Cross Road Garden Text": Taking "Chen Yinke and Liu Rushi" and "Galiphia" as Examples". Doctoral thesis, Institute of Comparative Literature, Fu Jen Catholic University. 2009.
Yi Ruofen: "Wandering Eyes and Feelings—Intertextuality and Regeneration of Literature and Fine Arts." Taipei: Liren Book Company. 2011.
Qiu Yanbin: "The dialectical connection of vision and touch: Ban Yamin's wanderer, visual impact and innervation". "Chinese and Foreign Literature" 34:9=405, 2006.02, 69-95
Xu Zuhua et al.: "A Cross-Art Study of Lu Xun's Novels". Hefei: Anhui University Press. 2012.
Ling Yue: "Continuing the imaginary musical form." The anti-linear network of cicadas resembles a musical form. "Cross-Media Narrative—On the New Ecology of Xixi's Novels". Beijing: People's Publishing House. 2009.
Sun Kangyi: "Rereading Bada Shanren's Poems - Textuality and Visuality, and Limitations of Interpretation". "Chinese and Foreign Literature". 20:7=235. 1991. 4-8.
Benjamin, Walter; "The Work of Art in the Age of Mechanical Reproduction". "Towards the Age of Fading Aura". Translated by Xu Qiling. Taipei (Taiwan Photography Studio). 1998. 1-34.
Zhang Yingtai: "The Beauty of Loneliness and the Loneliness of Beauty--On the Composition and Layer of "Blank Space" in Wang Zengqi's Novels". "Chinese Studies". 26:2=53. 2008.06, 253-284.
Cao Shunqing et al.; "Interdisciplinary Research". "Comparative Literature". Taipei: ALi. 2003. 297-316.
Liang Muling: "Another way of imagining China: On the "visuality" of Liu Naou, Mu Shiying and Zhang Ailing's novels". "Journal of National Chengchi University Chinese Literature". 19. 2013.06. 219-260.
Huang Shuqi: "Interpretation of Zhang Ailing - Space and Power in "Red Roses and White Roses"". "Wenxun". December 2002. 206.66.
Tang Jiming: "Meyer's "Michelangelo Series of Poems": Examining the inspiration of sculpture art on "object poetry"". "Chinese and Foreign Literature". 40:3=434. 2011.09. 189-245.
William Yeh: Excerpt from the first chapter of "Pound and Eight Scenes of Xiaoxiang". Taipei: National Taiwan University Press. 2008. 16-63.
Editor-in-Chief Liu Jihui: "Inside and Outside the Frame: Art, Genres and Symbolic Boundaries". Editor-in-chief Liu Jihui. Taipei: Lixu. 1999.
Zheng Wenhui: "Cultural Aesthetics of Literature and Image: A Discussion of the Paradise of Imaginary Community". Taipei: Liren. 2005.
Luo Shujun: "The Origin and Development of "Text Intervention Painting"", "Journal of Modern Art". Issue 2. 1999. 55-71.
Yan Jihua: "The novel and film of "Red Rose and White Rose"". "Modern Chinese Literary Theory". 10. June 2008. 245-256.
評分方式 Grading
| 評分項目 Grading Method |
配分比例 Percentage |
說明 Description |
|---|---|---|
|
上課參與(報告、討論) Class participation (reports, discussions) |
50 | |
|
期末專題報告 Final special report |
50 |
授課大綱 Course Plan
點擊下方連結查看詳細授課大綱
Click the link below to view the detailed course plan
相似課程 Related Courses
無相似課程 No related courses found
課程資訊 Course Information
基本資料 Basic Information
- 課程代碼 Course Code: 5015
- 學分 Credit: 2-0
-
上課時間 Course Time:Thursday/3,4[H534]
-
授課教師 Teacher:朱衣仙
-
修課班級 Class:中文碩博 1,2
交換生/外籍生選課登記
請點選上方按鈕加入登記清單,再等候任課教師審核。
Add this class to your wishlist by clicking the button above.