一、研究水墨畫自古典至現代觀念、技法之遞演，瞭解水墨畫的當代定位。
二、探討水墨畫於自古至今發展方向與變革之可能。
三、引導學生思考水墨素材的本質，進而尋求個人於水墨創作領域之表現。

1. Study the evolution of concepts and techniques in ink painting from classical to modern times, and understand the contemporary positioning of ink painting.
2. Discuss the development direction and possible changes of ink painting from ancient times to the present.
3. Guide students to think about the nature of ink painting materials, and then seek personal expression in the field of ink painting creation.

課程著重水墨媒材的運用技巧，並能透過創作思想與材料研究，理解水墨的特質與表現性。

The course focuses on the application skills of ink media, and allows students to understand the characteristics and expressiveness of ink through creative ideas and material research.

一、徐復觀，〈中國藝術精神〉，學生。
二、俞崑，〈中國繪畫史〉，華正。
三、何懷碩編，〈近代中國美術論集〉全六冊，藝術家。
四、高木森，〈中國繪畫思想史〉，東大。
五、劉思量，〈中國美術思想新論〉，藝術家。
六、〈名家翰墨〉，翰墨軒。
七、〈中國現代繪畫發展素描〉，台北市立美術館。
八、〈中國巨匠美術周刊〉全100冊，錦繡。

1. Xu Fuguan, "The Spirit of Chinese Art", student.
2. Yu Kun, "History of Chinese Painting", Huazheng.
3. "Collection of Modern Chinese Art", six volumes, edited by He Huaishuo, artist.
4. Gao Musen, "History of Chinese Painting Thought", Tokyo University.
5. Liu Siliang, "New Theory of Chinese Art Thought", artist.
6. "Han Mo by Famous Artists", Han Mo Xuan.
7. "Sketch of the Development of Modern Chinese Painting", Taipei Fine Arts Museum.
8. "China Masters Art Weekly", 100 volumes in total, beautiful.