� 1. 鋼琴演奏技術之定義、流派、分類、與優劣之辨別。
� 2. 物理學與鋼琴演奏之相關原理。
� 3. 生理學與鋼琴演奏之相關原理。
� 4. 心理學與鋼琴演奏之相關原理。
� 5. 鋼琴演奏傷害的現况與形成原理。
� 6. 健康之鋼琴演奏肢體姿勢，及偏差之演奏行為的矯正。
� 7. 健康之演奏心理，以克服演奏焦慮，及怯場問題。

� 1. The definition, genre, classification, and distinction between superiority and inferiority of piano playing techniques.
� 2. The principle of related physics and piano playing.
� 3. The principle of related physiology and piano playing.
� 4. The principle of correlation between psychology and piano playing.
� 5. The current situation and formation principle of piano performance damage.
� 6. The correctiveness of the body posture of the healthy piano playing and the deviation of the performance behavior.
� 7. Healthy playing psychology to overcome the anxiety and fear of playing.

Kapit, Wynn. The Anatomy Coloring Book. New York: Addison-Wesley Educational Publishers’ Inc.,1993.

Conable, Barbara. What Every Musician Needs to Know About the Body.

Mark, Thomas. What Every Pianist Needs to Know about the Body. GIA Publications, Inc. 2003.

Zinn, Marcie. Healthy Piano Playing, A Revolutionary Guide to Self-Discovery at the Piano. St. Charles (Illinois): Affordable Visions Publishing, 1995.

Alcantara, Pedro de. Indirect Procedures, A Musician’s guide to the Alexander Technique. Oxford: Oxford University Press,1997.

Kochevitsky, George. The Art of Piano Playing: a Scientific Approach. (786.3 w588 1961).

Werner, Kenny. Effortless Mastery, Liberating the Master Musician Within. New Albany: Jamey Aebersold Jazz, Inc., 1996.

劉美珠、林大豐譯(Barbara Conable著)。《音樂家的肢體開發》。桃園：原笙國際，2003。

盧秋瑩譯(Thomas Mark著)。《千萬不要學鋼琴》。桃園：原笙國際，2005。

約翰．坦納(John Tanner)。《背痛醫護錦囊》。台北：台灣省珠海出版有限公司，1994。

蔡中文。《鋼琴彈奏的力》。台北：全音樂譜出版社，1989。

梅錦榮。《神經心理學》。台北：桂冠圖書股份有限公司，1991。

柯哲銘、張嘉獻譯(John H. Warfel著)。《肌學手冊---頭部．頸部和軀幹》。台北：合記圖書出版社，1994。

柯哲銘、張嘉獻譯(John H. Warfel著)。《肌學手冊---四肢》。台北：合記圖書出版社，1994。

郭宗愷。《音樂演奏傷害之發生率與求珍》

郭宗愷。《演奏傷害傾向之行為模式》

郭宗愷。《音樂演奏之怯場心理》

郭宗愷。《舞台恐懼與演奏焦慮之紓解》

Kapit, Wynn. The Anatomy Coloring Book. New York: Addison-Wesley Educational Publishers’ Inc.,1993.

Conable, Barbara. What Every Musician Needs to Know About the Body.

Mark, Thomas. What Every Pianist Needs to Know about the Body. GIA Publications, Inc. 2003.

Zinn, Marcie. Healthy Piano Playing, A Revolutionary Guide to Self-Discovery at the Piano. St. Charles (Illinois): Affordable Visions Publishing, 1995.

Alcantara, Pedro de. Indirect Procedures, A Musician’s guide to the Alexander Technique. Oxford: Oxford University Press,1997.

Kochevitsky, George. The Art of Piano Playing: a Scientific Approach. (786.3 w588 1961).

Werner, Kenny. Effortless Mastery, Liberating the Master Musician Within. New Albany: Jamey Aebersold Jazz, Inc., 1996.

Liu Meizhu and Lin Dafeng (by Barbara Conable). "The Development of the Musician's Limbs". Taoyuan: Yuansheng International, 2003.

Lu Qiu's translation (by Thomas Mark). "Don't Learn the Piano". Taoyuan: Yuansheng International, 2005.

John. John Tanner. "Back Pain Medical Casing Case". Taipei: Taiwan Zhuhai Publishing Co., Ltd., 1994.

Cai Chinese. "The Power of Piano Playing". Taipei: Quanyin Song Publishing House, 1989.

Plum blessed. Neurophysics. Taipei: Guiguan Books Co., Ltd., 1991.

Ke Zhe-chan and Zhang Jia-ling (by John H. Warfel). "Musculature Manual---Head. "The head and the trunk". Taipei: Heshu Book Publishing House, 1994.

Ke Zhe-chan and Zhang Jia-ling (by John H. Warfel). "Musclesmanship---Four Limbs". Taipei: Heshu Book Publishing House, 1994.

Guo Zongyan. "The incidence rate of music performance damage and seeking treasure"

Guo Zongyan. "Performance Mode of Injurying the Direction"

Guo Zongyan. "Music Performance: Cowardly Psychology"

Guo Zongyan. "Explanation of the Stage Horror and Performance"