發展素描做為創作的可能性，並從中認識表現的形式、媒材與創作的原質性，產生認識自我提問等議題。
藉人體素描表現的形式，發展的面相，從中誘發未來創作延伸的廣度，以及對於媒材的應用與倫理。Develop the possibility of sketching as creation, and recognize the form, media and the originality of the creation from it, resulting in questions such as cognitive self-questioning.
Through the form of human sketching, the development face is revealed, and the extension of future creation, as well as the application and ethics of media.
Michel Foucault，《外邊思維》，洪維信譯，台北：行人/2003
G.CarlJung，《人及其象徵－容格思想精華的總結》，龔卓軍譯，台北：立緒文化/1999
WalterBenjamin，《迎向靈光消逝的年代》，許綺玲譯，台北：台灣攝影/1998
Roland Barthes，《明室》，許綺玲譯，台北：台灣攝影/1997
Milan Kundera，《簾幕》，翁德明譯，台北：皇冠文化/2005
James Lord，《未完成的肖像》，陳靜芳譯，台北：允晨文化/2001
Alain de Botton，《旅行的藝術》，台北：先覺/2002
Albert Camus，《異鄉人》，莫渝譯，台北：新潮文庫/1982
Michel Foucault, "Outside Thoughts", Hong Weixin Translation, Taipei: Pedestrian/2003
G.CarlJung, "Man and His Symbols - The Summary of the Essence of Jung's Thoughts", Translation of the King of the King, Taipei: Licheng Culture/1999
Walter Benjamin, "Emergency to the Era of the Descent of Spirit", translated by Zhu Ling, Taipei: Taiwan Photography/1998
Roland Barthes, "Ming Shi", translated by Xu Ling, Taipei: Taiwan Photography/1997
Milan Kundera, "The Story of the Palace", Weng Deming, Taipei: Crown Culture/2005
James Lord, "Unfinished Portrait", translated by Chen Jingfang, Taipei: Yunchen Culture/2001
Alain de Botton, "The Art of Travel", Taipei: First View/2002
Albert Camus, "The Legend of the Country", Mo Yulu, Taipei: Xinchao Library/1982
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 平時出缺席平時出缺席 Absent usually |
30 | 未出席達3次扣考，如特殊情況再研議視之。 |
| 期中評量期中評量 Midterm evaluation |
30 | 實作作品 |
| 期末評量期末評量 Final evaluation |
40 | 實作作品20% 文字報告20% |
