1認識複合材料的種類與表現性
2認式材質基本發展與演變
3空間運用實務概念1Understand the types and performance of composite materials
2 Basic development and evolution of recognized materials
3 Practical Concepts of Space Utilization
這是一門理論課程。複合媒體的認知基礎來自於當代觀念藝術系統，根源於杜象及達達，企圖打破藝術與生活的界線；亦受到日本50年代具體群（Gutai group）事件的影響，主要是指興起於1970年代的西方當代藝術類型，以裝置藝術（Installation art）為主。混用各種媒材及現成物（ready-made），直接使用展場空間，創造感知和或概念性的經驗，故涵蓋特定場域的藝術（Site-specific art）、地景藝術（Land Art）。使用的媒材包含了自然材料到新媒體，如錄影、聲音、行為、電腦以及網路等。
本課程需從概念藝術系統出發，講述當代複合媒體/裝置藝術的歷史，透過作品之介紹及討論，讓學生了解當代複合媒體及裝置藝術之創作觀念及型態，作為當代藝術發展之獨特路徑；並使學生探討、思考媒體特性和與傳統美學的差異，以發展出創作或論述的潛力。
This is a theoretical course. The cognitive foundation of composite media comes from the contemporary conceptual art system, rooted in Duchamp and Dada, which attempts to break the boundaries between art and life; it is also influenced by the Gutai group incident in Japan in the 1950s, which mainly refers to the art movement that emerged in the 1970s. The type of Western contemporary art is mainly installation art. Mixing various media and ready-made objects, directly using the exhibition space to create perceptual and/or conceptual experiences, it covers site-specific art and Land Art. . The media used range from natural materials to new media, such as video, sound, performance, computers and the Internet.
This course starts from the conceptual art system and tells the history of contemporary composite media/installation art. Through the introduction and discussion of works, students can understand the creative concepts and forms of contemporary composite media and installation art as a unique path for the development of contemporary art; It also enables students to explore and think about the characteristics of media and the differences with traditional aesthetics in order to develop the potential for creation or discussion.
物體藝術-遠流
台灣前衛60年代復合藝術-遠流
西方當代藝術史批評-藝術家
歐洲後現代藝術-藝術家
現代藝術啟示錄-藝術家
台灣廢墟迷走-田園城市
符號全書-春光出版
波伊斯傳-藝術家
日本動畫五天王-大塊文化
反美學-立緒
別鬧了，這是藝術嗎-左岸
Object Art-Yuanliu
Taiwan's avant-garde composite art of the 1960s-Yuanliu
Western Contemporary Art History Criticism-Artist
European Postmodern Art-Artists
Modern Art Revelations-Artists
Taiwan Ruins Lost - Garden City
Complete Book of Symbols-Chunguang Publishing
Biography of Beuys-The Artist
Japanese Animation Five Heavenly Kings - Chunk Culture
Anti-aesthetics-Lixu
Stop making trouble, is this art - Left Bank
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 出席率出席率 Attendance |
50 | |
| 書面報告1書面報告1 Written report 1 |
15 | |
| 書面報告2書面報告2 Written report 2 |
15 |
