一、藉由研究古今作品之表現形式及創作內涵，進行繪畫風格的討論賞析與實驗分析。
二、透過保存修復觀點與古典技法的實踐，深化作品表現技術與價值。1. By studying the expression forms and creative connotations of ancient and modern works, we conduct discussion and experimental analysis of painting styles.
2. Through preserving and revising views and classical techniques, deepen the performance of the works and value.
分析膠彩創作表現形式與理念，並探究時代美學與架構，以引導創作者進行研究深度的啟發與藝術風格的建立。
Analyze the present forms and concepts of colour creation, and explore the aesthetics and structure of the times to guide the creators to innovate in-depth research and establish artistic styles.
一、《日本美術史》王秀雄著，國立歷史博物館。 二、《日本美術史話》李欽賢著，雄獅圖書股份有限公司。 三、《日本美術的近代光譜》李欽賢著，雄獅圖書股份有限公司。 四、《膠彩畫材料與技法》林功、箱崎睦昌著，廖瑞芬譯，藝術家出版社。 五、ARTISTS JAPAN ，同朋社。六、圖解日本畫用語事典，東京藝術大學大學院文化財保存學日本畫研究室，東京美術。
1. "History of Japanese Art" by Wang Xiuxiong, National History Museum. 2. "History of Japanese Art" by Li Yang, Lion Books Co., Ltd. 3. "Modern Illumination of Japanese Art" written by Li Yang, Xiong Lion Books Co., Ltd. 4. "Plug Color Painting Materials and Techniques" written by Lin Gong and Musaki Hakozaki, translated by Liao Ruifen, Artist Publishing House. 5. ARTISTS JAPAN, Tongpengshe. 6. Illustration of Japanese painting Scripture, Tokyo University of Arts, Japanese Painting Research Office, Cultural Finance Preservation School, Tokyo Arts.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 五十號以上膠彩作品四件五十號以上膠彩作品四件 Four pieces of glue-colored works above 50 |
60 | |
| 實驗色版與名家作品臨摹實驗色版與名家作品臨摹 Executed version and works by famous artists |
20 | 實驗色版尺寸約10Fx2件、摹寫作品至少10F |
| 出席率出席率 Attendance rate |
20 |
