1.培養學生對於中國，台灣與日本在藝術近代化過程中相關議題的知識基礎與研究能力。
2.對於現代化(modernization)理論的認知與批判。

1. Cultivate students' knowledge basis and research capabilities for related topics in the process of art modernization in China, Taiwan and Japan.
2. Awareness and criticism of modernization theory.

本課程主要討論的範圍以亞洲的中國、台灣、日本、韓國與印度為主。為了符合本所的課程規劃，其時間範圍以近現代(18~20世紀)為限。授課內容主要以繪畫史為主，兼含建築、展覽與現代性(modernity)之相關討論。

The scope of this course is mainly discussed in Asia, including China, Taiwan, Japan, South Korea and India. In order to comply with our course planning, the time range is limited to the recent (18th to 20th century). The content of the teaching is mainly based on painting history, and includes discussions about architecture, exhibitions and modernity.

1. 王秀雄。�《日本美術史》(下冊)。台北：國立歷史博物館，2000。
2. 李欽賢。《日本美術的近代光譜》。台北：雄獅美術，1993。
3. 徐小虎 著，許燕貞�譯。《日本美術史》。台北：台北，南天書局，1996。
4. 《中國─巴黎─早期旅法中國畫家研究》。台北：台北市立美術館，1989。
5. 《中國─巴黎� 早期旅法畫家回顧展專輯》。台北：台北市立美術館，1988。

1. Wang Xiuxiong. �《History of Japanese Arts》 (hereinafter referred to). Taipei: National History Museum, 2000.
2. Li Yanqian. "Modern Light of Japanese Art". Taipei: Lion Art, 1993.
3. Written by Xu Xiaohu, Xu Yan translated. "History of Japanese Art". Taipei: Taipei, Nantian Book Bureau, 1996.
4. "Research on Chinese Painters in Early France and China". Taipei: Taipei City Art Museum, 1989.
5. "China-Paris � Early French travelers' review exhibition album". Taipei: Taipei City Art Museum, 1988.