透過課程單元的安排，協助學生發展出兼具時代與個人性的創作形式和內容，在引導學生表現自我創作的部份: 能熟悉造形的過程所傳達的藝術發展歷程、探索媒材在近代所呈現的樣貌及技法， 掌握造形之基本語彙與主題創作表現

Through the arrangement of course units, students are helped to develop creative forms and contents that are both contemporary and personal. In guiding students to express their own creations: they can become familiar with the artistic development process conveyed by the process of shaping, explore the appearance and techniques of media in modern times, and master the basic vocabulary of shaping and thematic creative expression.

◎ 林志明著《複多與張力- 論攝影史與攝影肖像》田園城市；2013
◎ John Berger(1998)。《影像的閱讀》(劉惠媛譯)。台北市：遠流。(原著出版年：1980年)。
◎ 陳傳興(1992)。《憂鬱文件》。台北市：雄獅
◎ Roland Barthes（1997）。《明室•攝影札記》（許綺玲譯）。臺北市：台灣攝影工作室出版。
◎ Walter Benjamin（1991）。《迎向靈光消逝的年代》（許綺玲譯）。臺北市：台灣攝影工作室出版。
◎ Susan Sontag（1997）。《論攝影》（黃翰荻譯）。臺北市：唐山出版社。
◎ Susan Sontag（1997）。《旁觀他人之痛苦》（陳耀成譯）。臺北市：麥田。
◎ John Berger（2005）。《觀看的方式》（吳莉君譯）。臺北市：麥田。
◎ 佟景韓/易英 主編《造型藝術美學》；原出版者：春風文藝出版社、遼寧教育出版社；紅葉文化事業有限公司出版；台北；1995。ISBN 9578677634。
◎《造形藝術的基礎》約翰．義庭 著/王秀雄譯，大陸書店，1989
◎ 吳瑪俐 譯（1985）。點、線、面。台北市：藝術家。Kandinsky（1926）,Punkt und linie zu flache.
◎ Anna Moszynska著/黃麗絹 譯；《抽象藝術》；遠流圖書公司出版； ISBN9573237806。
◎ 保羅克利 著/周群超 譯《保羅克利教學手記》；藝術家出版；1999。
◎ Henry Focillon 著/吳玉成 譯；《造形的生命》；田園城市文化事業出版；2001；ISBN 9570406410◎ Herschel Chipp著/余珊珊譯《現代藝術理論》，台北: 遠流圖書公司出版，1996。
◎ Heinrich Wölfflin 著/曾雅雲 譯；《藝術史的原則》；雄獅圖書公司出版。
◎ 王受之 著《世界現代美術發展 》藝術家出版社， 2001 。
◎ Eddie Wolfram 著/ 傅嘉琿 譯《拼貼藝術之歷史》遠流出版，1992。
◎ 布萊頓 泰勒 著/王生才 張愛東 卿上力 譯；《當代藝術》 ；江蘇美術出版社；南京；2007.5；ISBN 978-7- 5344-2305-5
◎ Michel Foucault 著/謝強 馬月 譯；《馬奈的繪畫 La peinture de Manet 》Suivi de MichelFoucault, un regard ； 湖南教育出版社；長沙；2009.6；ISBN978-7- 5355-6138-1
◎ Anna Moszynska著/黃麗絹 譯；《抽象藝術》；遠流圖書公司出版； ISBN9573237806。
◎ 王林 著，《美術形態學》；亞太圖書公司出版；1993。ISBN9578510314。
◎《 Le mou et ses formes》 essai sur quelques catégories de la sculpture du XX e siècle, Maurice Fréchuret, 1993, Ecole nationale supérieure des Beaux-Arts, Paris
◎ 王秀雄（1991）。美術心理學：創造．視覺與造形心理，修訂。台北市：北市美術館。ISBN：957-00-0331-6。
◎ 李長俊 譯（1985）。藝術與視覺心理學，版4。台北市：雄獅。Arnheim,R.（1976），Art and visual perception-a psychology of the creative eye.

◎ 高千惠(2009)。《移動的地平線》。台北市：藝術家。
◎ 高千惠(2006)。《叛逆的捉影：當代藝術家的新迷思》。台北市：遠流。
◎ Eddie Wolfram 著/傅嘉琿 譯《拼貼藝術之歷史》/遠流出版，199２
◎ Linda Nochlin 著/游惠珍譯；《女性藝術與權力》；遠流圖書公司出版。
◎ Linda Nochlin 著《寫實主義》；遠流圖書公司出版； ISBN9573234653
◎ 張惠蘭 著(2011) ，《寶藏巖 流動的色彩密碼》公館水岸環境色彩計畫，台北：台北市政府文化局
◎ 張惠蘭 著(2013) ，《八斗子 流動的島嶼色彩》公共藝術計畫，基隆：國立海洋科技博物館

◎ "Multipleness and Tension - On the History of Photography and Photographic Portraits" by Lin Zhiming, Garden City; 2013
◎ John Berger(1998). "Reading of Images" (translated by Liu Huiyuan). Taipei City: Yuanliu. (Original publication year: 1980).
◎ Chen Chuanxing (1992). "Melancholy Files". Taipei City: Lion
◎ Roland Barthes (1997). "The Bright Room·Photography Notes" (translated by Xu Qiling). Taipei: Taiwan Photography Studio Publishing.
◎ Walter Benjamin (1991). "Toward the Era of Fading Aura" (translated by Xu Qiling). Taipei: Taiwan Photography Studio Publishing.
◎ Susan Sontag (1997). "On Photography" (translated by Huang Handi). Taipei City: Tangshan Publishing House.
◎ Susan Sontag (1997). "Watching the Pain of Others" (translated by Chen Yaocheng). Taipei City: Wheatfield.
◎ John Berger (2005). "Ways of Seeing" (translated by Wu Lijun). Taipei City: Wheatfield.
◎ Tong Jinghan/Yi Ying, editor-in-chief of "Plastic Art Aesthetics"; original publisher: Chunfeng Literature and Art Publishing House, Liaoning Education Press; published by Hongye Culture Co., Ltd.; Taipei; 1995. ISBN 9578677634.
◎"Foundations of Plastic Arts" John. Written by Yiting/translated by Wang Xiuxiong, Mainland Bookstore, 1989
◎ Translated by Wu Mali (1985). Point, line, surface. Taipei City: Artist. Kandinsky (1926),Punkt und linie zu flache.
◎ Written by Anna Moszynska/Translated by Huang Lijuan; "Abstract Art"; published by Yuanliu Book Company; ISBN9573237806.
◎ Written by Paul Klee/Translated by Zhou Qunchao, "Paul Klee's Teaching Notes"; published by the artist; 1999.
◎ Written by Henry Focillon/Translated by Wu Yucheng; "Shaped Life"; Published by Garden City Cultural Enterprise; 2001; ISBN 9570406410 ◎ Written by Herschel Chipp/Translated by Yu Shanshan "Modern Art Theory", Taipei: Published by Yuanliu Book Company, 1996.
◎ Written by Heinrich Wölfflin/Translated by Zeng Yayun; "Principles of Art History"; published by Lion Books.
◎ Wang Shouzhi's "The Development of Modern Art in the World" Artist Publishing House, 2001.
◎ "The History of Collage Art" written by Eddie Wolfram/translated by Fu Jiahun, Yuanliu Publishing, 1992.
◎ Written by Brydon Taylor/Translated by Wang Shengcai, Zhang Aidong and Qing Shangli; "Contemporary Art"; Jiangsu Fine Arts Publishing House; Nanjing; 2007.5; ISBN 978-7- 5344-2305-5
◎ Written by Michel Foucault/Translated by Xie Qiang and Ma Yue; "Manet's Painting La peinture de Manet" Suivi de Michel Foucault, un regard; Hunan Education Press; Changsha; 2009.6; ISBN978-7- 5355-6138-1
◎ Written by Anna Moszynska/Translated by Huang Lijuan; "Abstract Art"; published by Yuanliu Book Company; ISBN9573237806.
◎Wang Lin, "Art Morphology"; published by Asia Pacific Book Company; 1993. ISBN9578510314.
◎《Le mou et ses formes》essai sur quelques catégories de la sculpture du XX e siècle, Maurice Fréchuret, 1993, Ecole nationale supérieure des Beaux-Arts, Paris
◎ Wang Xiuxiong (1991). Art Psychology: Creation. The Psychology of Vision and Form, revised. Taipei City: Taipei Art Museum. ISBN: 957-00-0331-6.
◎ Translated by Li Changjun (1985). Art and Visual Psychology, ed. 4. Taipei City: Lion. Arnheim,R. (1976), Art and visual perception-a psychology of the creative eye.

◎ Gao Qianhui (2009). "Moving Horizon". Taipei City: Artist.
◎ Gao Qianhui (2006). "Rebellious Capturing: New Myths of Contemporary Artists". Taipei City: Yuanliu.
◎ "The History of Collage Art" written by Eddie Wolfram/translated by Fu Jiahun/Yuanliu Publishing, 1992
◎ Written by Linda Nochlin/translated by You Huizhen; "Female Art and Power"; published by Yuanliu Books.
◎ "Realism" by Linda Nochlin; published by Yuanliu Books; ISBN9573234653
◎ Zhang Huilan (2011), "Treasure Rock: The Flowing Color Code" Mansion Waterfront Environmental Color Plan, Taipei: Taipei City Government Cultural Affairs Bureau
◎ Zhang Huilan (2013), "Badouzi Flowing Island Colors" public art project, Keelung: National Museum of Marine Science and Technology