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5028 - 近現代小說理論專題 Theories of Fiction: from Pre-Modern


教育目標 Course Target

課程內涵: 本課程採用專題討論方式,針對中國近現代小說之範圍.流變以及相關問題作一檢討,其中包括歷史、社會、文化、學術等外緣因素,出版、研究論著等基本常識 及研究方法之評介;以及對於小說作品內在主題、人物、結構、敘述技巧等面向,均做探討,期能使學生不僅掌握小說文本之特質的橫面解剖,並能由小說的文學 史意涵上來綜觀其發展。首先我們將集中於小說的一些基本文獻觀念以及理論的研讀探討,繼而進入現代中國小說理論,並帶入大量西方小說理論,作為討論中 國小說理論的參考體系。Course content: This course uses topical discussion methods to review the scope, current and related issues of Chinese modern novels, including historical, social, cultural, academic and other external factors, publishing, research and other basic knowledge. The evaluation of research methods; and the exploration of the internal themes, characters, structures, and narrative skills of the novels, will enable students to master not only the cross-sectional anatomy of the characteristics of the novel text, but also the literature of the novel. Shi Yihan has come to look at its development. First of all, we will focus on some of the basic literature concepts of the novel and the study of the theory. Then we will enter the theory of modern Chinese fiction and bring in a lot of western fiction theory as a discussion. The reference system of national novel theory.


課程概述 Course Description

本課程採用專題討論方式,針對中國近現代小說之範圍.流變以及相關問題作一檢討,其中包括歷史、社會、文化、學術等外緣因素,出版、研究論著等基本常識及研究方法之評介;以及對於小說作品內在主題、人物、結構、敘述技巧等面向,均做探討,期能使學生不僅掌握小說文本之特質的橫面解剖,並能由小說的文學史意涵上來綜觀其發展。首先我們將集中於小說的一些基本文獻觀念以及理論的研讀探討,繼而進入現代中國小說理論,並帶入大量西方小說理論,作為討論中國小說理論的參考體系。
This course uses topical discussion methods to review the scope, current and related issues of Chinese modern novels, including historical, social, cultural, academic and other external factors. Publications, research theories, and other basic common sense and research methods are reviewed. And the exploration of the internal themes, characters, structures, and narrative techniques of the novels will enable students to master not only the cross-sectional anatomy of the characteristics of the novel text, but also the literary history of the novel. First of all, we will focus on some of the basic literature concepts of the novel and the study of the theory. Then we will enter the theory of modern Chinese fiction and bring a lot of Western fiction theory as a reference system for the discussion of Chinese fiction theories.


參考書目 Reference Books

教材:
(1) 大衛‧洛奇(David Lodge),《小說的五十堂課》(台北:木馬出版社,2006);
(2)老師編輯整理的講義

參考書:
胡菊人,《小說技巧》(台北:遠景出版社,1978);鄭樹森,《小說地圖》(台北:一方出版社,2003);艾科,《悠遊小說林》(台北:時報出版,2000);班雅明, 林志明譯,《說故事的人》(台北:台灣攝影,1998);米蘭‧昆德拉,尉遲秀譯,《小說的藝術》(台北:皇冠文化,2004);劉世劍,《小說敘事藝術》(長春:吉林大學出版社,1999)。
Robert Scholes, Elements of Fiction (Oxford: Oxford University Press, 1968; E. M. Forster, Aspects of the Novel (New York: Harcourt, Brace andWorld, 1954); Henry James, The Art of the Novel (New York: Scribners, 1962); E. K. Brown, Rhythm in the Novel (Lincoln, NE: University of Nebraska Press, 1978); Howard Hugo, Aspects of Fiction: A Handbook (Boston: Little, Brown and Company, 1962); Philip Freund, The Art of Reading the Novel (New York: Collier Books, 1965); John Haplerin, ed. The Theory of the Novel: New Essays (New York: Oxford University Press, 1974); Paul Cobley, Narrative (London: Routeledge, 2001); Shlomith Rommon-Kenan, Narrative Fiction: Contemporary Poetics (London: Menthuen, 1983); Frank O’Connor, The Lonely Voice: A Study of the Short Story (New York: Harper & Row, 1962); Michael Hoffman and Patrick Murphy, (eds.), Essentials of the Theory of Fiction (Durham, NC: Duke University Press, 1988); Theodore Goodman, The Writing of Fiction (New York: Collier books, 1961); Seymour Chatman, Reading Narrative Fiction (New York: Macmillan, 1993); _____, Story and Discourse: Narrative Structure in Fiction and Film (Ithaca: Cornell University Press, 1978); Jeremy Hawthorn, Studying the Novel: An Introduction, 2nd ed. (London: Edward Arnold, 1992); David Lodge, The Art of Fiction (New York: Viking, 1992); Robert Scholes, ed. Approaches to the Novel: Materials for a Poetics (San Francisco: Chandler Publishing, 1966); Mieke Bal, On Story-telling: Essays in Narratology (Sonoma, CA: Polebridge Press, 1991); H. Porter Abbott, The Cambridge introduction to Narrative (Cambridge: Cambridge University Press, 2002);W. J. T. Mitchell, ed. On Narrative (Chicago: Chicago University Press, 1980); F. K. Stanzel, A Theory of Narrativ
Textbook:
(1) David Lodge, The Fifty Lessons of Novels (Taipei: Trojan Press, 2006);
(2) Handout edited by the teacher

Reference book:
Hu Juren, "Fiction Skills" (Taipei: Yuanjing Publishing House, 1978); Zheng Shusen, "Map of Novels" (Taipei: One Party Publishing House, 2003); Ai Ke, "Youyi Novels" (Taipei: Times Publishing, 2000); Classes Yaming, Lin Zhiming, Translator, “The Storyteller” (Taipei: Taiwan Photography, 1998); Milan Kundera, Yu Chih-chiu, “Art of the Novel” (Taipei: Crown Culture, 2004); Liu Shijian, “Fiction Narrative Art (Changchun: Jilin University Press, 1999).
Robert Scholes, Elements of Fiction (Oxford: Oxford University Press, 1968; EM Forster, Aspects of the Novel (New York: Harcourt, Brace and World, 1954); Henry James, The Art of the Novel (New York: Scribners, 1962) EK Brown, Rhythm in the Novel (Lincoln, NE: University of Nebraska Press, 1978); Howard Hugo, Aspects of Fiction: A Handbook (Boston: Little, Brown and Company, 1962); Philip Freund, The Art of Reading the Novel (New York: Collier Books, 1965); John Haplerin, ed. The Theory of the Novel: New Essays (New York: Oxford University Press, 1974); Paul Cobley, Narrative (London: Routeledge, 2001); Shlomith Rommon- Kenan, Narrative Fiction: Contemporary Poetics (London: Menthuen, 1983); Frank O'Connor, The Lonely Voice: A Study of the Short Story (New York: Harper & Row, 1962); Michael Hoffman and Patrick Murphy, (eds. ), Essentials of the Theory of Fiction (Durham, NC: Duke University Press, 1988); Theodore Goodman, The Writing of Fiction (New York: Collier books, 1961); Sey Mour Chatman, Reading Narrative Fiction (New York: Macmillan, 1993); _____, Story and Discourse: Narrative Structure in Fiction and Film (Ithaca: Cornell University Press, 1978); Jeremy Hawthorn, Studying the Novel: An Introduction, 2nd ed. (London: Edward Arnold, 1992); David Lodge, The Art of Fiction (New York: Viking, 1992); Robert Scholes, ed. Approaches to the Novel: Materials for a Poetics (San Francisco: Chandler Publishing, 1966); Mieke Bal, On Story-telling: Essays in Narratology (Sonoma, CA: Polebridge Press, 1991); H. Porter Abbott, The Cambridge introduction to Narrative (Cambridge: Cambridge University Press, 2002); WJT Mitchell, ed. On Narrative (Chicago : Chicago University Press, 1980); FK Stanzel, A Theory of Narrativ


評分方式 Grading

評分項目 Grading Method 配分比例 Grading percentage 說明 Description
上課出席參與上課出席參與
Attend attendance in class
5
期中口頭導讀報告期中口頭導讀報告
Oral Oral Reading Report
30
期末學期報告期末學期報告
Term final report
65
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學分 Credit:2-0
上課時間 Course Time:Friday/6,7[H535]
授課教師 Teacher:陳俊啟
修課班級 Class:中文碩博1,2
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